Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
F♯m/F
Bm6/E
Bm6/B♭
F♯m/A
F7/B
F♯m/F
Bm6/E
C♯7/C♯
F7/B
F♯m/F
Bm6/E
A/A
C♯7/C♯
F7/B

Chord Diagrams — Lubimiy gorod in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯m/F
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
Bm6/E
EADGBE2314
EADGBExx2314
6frEADGBE2x134x
7frEADGBE111234
Bm6/B♭
EADGBE2314
EADGBExx2314
6frEADGBE2x134x
7frEADGBE111234
F♯m/A
EADGBE111134
4frEADGBE11x342
5frEADGBExx3241
9frEADGBE111342
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F7/B
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
C♯7/C♯
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
A/A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243

Explore More

Lubimiy gorod in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to B (descending whole step), B to F# (descending perfect fourth), F# to B (ascending perfect fourth), B to B (ascending unison), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to F (ascending major third), F to F# (ascending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to F# (descending minor third), F# to D# (descending minor third), D# to C# (descending whole step), C# to A (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: C♯m, Bm, F♯m/F, Bm6/E, Bm6/B♭, F♯m/A, C♯7, F7/B, F♯m, E7, A, F♯7, D♯m7♭5, C♯7/C♯, A/A.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#