Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
C♯m/F
F♯m6/E
F♯m6/B♭
C♯m/A
C7/B
C♯m/F
F♯m6/E
G♯7/C♯
C7/B
C♯m/F
F♯m6/E
E/A
G♯7/C♯
C7/B

Chord Diagrams — Lubimiy gorod in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
C♯m/F
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
F♯m6/E
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
F♯m6/B♭
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
C♯m/A
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C7/B
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
A♯m7♭5
EADGBE11xx24
EADGBEx1324x
5frEADGBE2x341x
8frEADGBE222xx1
G♯7/C♯
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
E/A
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234

Explore More

Lubimiy gorod in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to C (ascending major third), C to C# (ascending half step), C# to B (descending whole step), B to E (ascending perfect fourth), E to C# (descending minor third), C# to A# (descending minor third), A# to G# (descending whole step), G# to E (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: G♯m, F♯m, C♯m/F, F♯m6/E, F♯m6/B♭, C♯m/A, G♯7, C7/B, C♯m, B7, E, C♯7, A♯m7♭5, G♯7/C♯, E/A.

Scales for Improvisation C# bebop minor, C# bebop.

Diatonic chords: See all chords in the key of C#