Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
Fm/F
A♯m6/E
A♯m6/B♭
Fm/A
E7/B
Fm/F
A♯m6/E
C7/C♯
E7/B
Fm/F
A♯m6/E
G♯/A
C7/C♯
E7/B

Chord Diagrams — Lubimiy gorod in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
Fm/F
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
A♯m6/E
3frEADGBEx2314x
EADGBEx13x24
5frEADGBE2x1334
6frEADGBE111234
A♯m6/B♭
3frEADGBEx2314x
EADGBEx13x24
5frEADGBE2x1334
6frEADGBE111234
Fm/A
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
E7/B
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
Dm7♭5
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
8frEADGBEx1432
C7/C♯
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
G♯/A
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Lubimiy gorod in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to F (descending perfect fourth), F to C (descending perfect fourth), C to E (ascending major third), E to F (ascending half step), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to D (descending minor third), D to C (descending whole step), C to G# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Cm, A♯m, Fm/F, A♯m6/E, A♯m6/B♭, Fm/A, C7, E7/B, Fm, D♯7, G♯, F7, Dm7♭5, C7/C♯, G♯/A.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F