Lubimiy gorod in F

N.Bogoslovsky / E. Dolmatovsky(1939)swing
Do Re MiC D E
A
Fm/G♯
A♯m6/G
Fm/C
A♯m6/C♯
E7/D
Fm/G♯
A♯m6/G
E7/D
C7/E
Fm/G♯
A♯m6/G
G♯/C
E7/D
C7/E

Chord Diagrams — Lubimiy gorod in F (Guitar)

Display
FingerNoteDegree
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
Fm/G♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
A♯m6/G
EADGBEx13x24
3frEADGBEx2314x5frEADGBE2222x16frEADGBE111234
Fm/C
8frEADGBE111342
EADGBE1111343frEADGBExx134210frEADGBE1142xx
A♯m6/C♯
3frEADGBEx2314x
EADGBEx13x245frEADGBE2222x16frEADGBE111234
E7/D
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
C7/E
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
G♯/C
8frEADGBE111432
EADGBE11132x4frEADGBE1113426frEADGBE11x243

Lubimiy gorod in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to F (descending perfect fourth), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to C (descending major third), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to D (descending minor third), D to C (descending whole step), C to G# (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Cm, A♯m, Fm/G♯, A♯m6/G, Fm/C, A♯m6/C♯, E7/D, C7, Fm, D♯7, G♯, F7, Dm7♭5, C7/E, G♯/C.

Scales for Improvisation F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F