Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
Gm/F
Cm6/E
Cm6/B♭
Gm/A
F♯7/B
Gm/F
Cm6/E
D7/C♯
F♯7/B
Gm/F
Cm6/E
A♯/A
D7/C♯
F♯7/B

Chord Diagrams — Lubimiy gorod in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Gm/F
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
Cm6/E
7frEADGBE2x1334
EADGBE11x324
3frEADGBEx13x24
8frEADGBE111234
Cm6/B♭
7frEADGBE2x1334
EADGBE11x324
3frEADGBEx13x24
8frEADGBE111234
Gm/A
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
F♯7/B
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
D7/C♯
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
A♯/A
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243

Explore More

Lubimiy gorod in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to C (descending whole step), C to G (descending perfect fourth), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to D (descending perfect fourth), D to F# (ascending major third), F# to G (ascending half step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to G (descending minor third), G to E (descending minor third), E to D (descending whole step), D to A# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D by major third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Dm, Cm, Gm/F, Cm6/E, Cm6/B♭, Gm/A, D7, F♯7/B, Gm, F7, A♯, G7, Em7♭5, D7/C♯, A♯/A.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G