Lubimiy gorod in A#

N.Bogoslovsky / E. Dolmatovsky(1939)swing
Do Re MiC D E
A
A♯m/C♯
D♯m6/C
A♯m/F
D♯m6/F♯
A7/G
A♯m/C♯
D♯m6/C
A7/G
F7/A
A♯m/C♯
D♯m6/C
C♯/F
A7/G
F7/A

Chord Diagrams — Lubimiy gorod in A# (Guitar)

Display
FingerNoteDegree
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
A♯m/C♯
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m6/C
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A♯m/F
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
D♯m6/F♯
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
A7/G
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
F7/A
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
C♯/F
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342

Lubimiy gorod in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to D# (descending whole step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to F (descending major third), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to G (descending minor third), G to F (descending whole step), F to C# (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Fm, D♯m, A♯m/C♯, D♯m6/C, A♯m/F, D♯m6/F♯, A7/G, F7, A♯m, G♯7, C♯, A♯7, Gm7♭5, F7/A, C♯/F.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#