Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
A♯m/F
D♯m6/E
D♯m6/B♭
A♯m/A
A7/B
A♯m/F
D♯m6/E
F7/C♯
A7/B
A♯m/F
D♯m6/E
C♯/A
F7/C♯
A7/B

Chord Diagrams — Lubimiy gorod in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
A♯m/F
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
D♯m6/E
EADGBE111x32
4frEADGBE11x324
7frEADGBExx2314
11frEADGBE111234
D♯m6/B♭
EADGBE111x32
4frEADGBE11x324
7frEADGBExx2314
11frEADGBE111234
A♯m/A
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A7/B
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Gm7♭5
EADGBE3xx421
EADGBE2x341x
5frEADGBE222xx1
10frEADGBEx1324x
F7/C♯
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
C♯/A
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342

Explore More

Lubimiy gorod in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to D# (descending whole step), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to A (ascending major third), A to A# (ascending half step), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to A# (descending minor third), A# to G (descending minor third), G to F (descending whole step), F to C# (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Fm, D♯m, A♯m/F, D♯m6/E, D♯m6/B♭, A♯m/A, F7, A7/B, A♯m, G♯7, C♯, A♯7, Gm7♭5, F7/C♯, C♯/A.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#