Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
Bm/F
Em6/E
Em6/B♭
Bm/A
A♯7/B
Bm/F
Em6/E
F♯7/C♯
A♯7/B
Bm/F
Em6/E
D/A
F♯7/C♯
A♯7/B

Chord Diagrams — Lubimiy gorod in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Bm/F
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Em6/E
EADGBE11132
EADGBE123
5frEADGBE11x324
8frEADGBExx2314
Em6/B♭
EADGBE11132
EADGBE123
5frEADGBE11x324
8frEADGBExx2314
Bm/A
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
A♯7/B
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
F♯7/C♯
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
D/A
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342

Explore More

Lubimiy gorod in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F# to E (descending whole step), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to A# (ascending major third), A# to B (ascending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to B (descending minor third), B to G# (descending minor third), G# to F# (descending whole step), F# to D (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F# by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: F♯m, Em, Bm/F, Em6/E, Em6/B♭, Bm/A, F♯7, A♯7/B, Bm, A7, D, B7, G♯m7♭5, F♯7/C♯, D/A.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B