Lubimiy gorod in B

N.Bogoslovsky / E. Dolmatovsky(1939)swing
Do Re MiC D E
A
Bm/D
Em6/C♯
Bm/F♯
Em6/G
A♯7/G♯
Bm/D
Em6/C♯
A♯7/G♯
F♯7/A♯
Bm/D
Em6/C♯
D/F♯
A♯7/G♯
F♯7/A♯

Chord Diagrams — Lubimiy gorod in B (Guitar)

Display
FingerNoteDegree
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
Em6/C♯
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
Bm/F♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
Em6/G
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
A♯7/G♯
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
D/F♯
2frEADGBE111432
EADGBExx1325frEADGBE11123410frEADGBE111342

Lubimiy gorod in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F# to E (descending whole step), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to F# (descending major third), F# to B (ascending perfect fourth), B to A (descending whole step), A to D (ascending perfect fourth), D to B (descending minor third), B to G# (descending minor third), G# to F# (descending whole step), F# to D (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F# by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: F♯m, Em, Bm/D, Em6/C♯, Bm/F♯, Em6/G, A♯7/G♯, F♯7, Bm, A7, D, B7, G♯m7♭5, F♯7/A♯, D/F♯.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B