Lubimiy gorod in A

N.Bogoslovsky / E. Dolmatovsky(1939)swing
Do Re MiC D E
A
Am/C
Dm6/B
Am/E
Dm6/F
G♯7/F♯
Am/C
Dm6/B
G♯7/F♯
E7/G♯
Am/C
Dm6/B
C/E
G♯7/F♯
E7/G♯

Chord Diagrams — Lubimiy gorod in A (Guitar)

Display
FingerNoteDegree
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Am/C
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Dm6/B
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
Am/E
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
Dm6/F
EADGBExx21
3frEADGBE11x3245frEADGBEx13x249frEADGBE2222x1
G♯7/F♯
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
E7/G♯
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
C/E
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342

Lubimiy gorod in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to E (descending major third), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to A (descending minor third), A to F# (descending minor third), F# to E (descending whole step), E to C (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Em, Dm, Am/C, Dm6/B, Am/E, Dm6/F, G♯7/F♯, E7, Am, G7, C, A7, F♯m7♭5, E7/G♯, C/E.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A