Do Re MiC D E

Lubimiy gorod

N.Bogoslovsky / E. Dolmatovsky(1939)2/4swing
Am/F
Dm6/E
Dm6/B♭
Am/A
G♯7/B
Am/F
Dm6/E
E7/C♯
G♯7/B
Am/F
Dm6/E
C/A
E7/C♯
G♯7/B

Chord Diagrams — Lubimiy gorod in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
Am/F
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
Dm6/E
EADGBExx21
3frEADGBE11x324
5frEADGBEx13x24
9frEADGBE2x1333
Dm6/B♭
EADGBExx21
3frEADGBE11x324
5frEADGBEx13x24
9frEADGBE2x1333
Am/A
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
G♯7/B
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
F♯m7♭5
EADGBE2341
4frEADGBE222xx1
9frEADGBEx1324x
10frEADGBE11xx24
E7/C♯
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
C/A
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342

Explore More

Lubimiy gorod in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D (descending whole step), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to D (ascending unison), D to A (descending perfect fourth), A to E (descending perfect fourth), E to G# (ascending major third), G# to A (ascending half step), A to G (descending whole step), G to C (ascending perfect fourth), C to A (descending minor third), A to F# (descending minor third), F# to E (descending whole step), E to C (descending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: Em, Dm, Am/F, Dm6/E, Dm6/B♭, Am/A, E7, G♯7/B, Am, G7, C, A7, F♯m7♭5, E7/C♯, C/A.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A