Lubimiy gorod in D#

N.Bogoslovsky / E. Dolmatovsky(1939)swing
Do Re MiC D E
A
D♯m/F♯
G♯m6/F
D♯m/A♯
G♯m6/B
D7/C
D♯m/F♯
G♯m6/F
D7/C
A♯7/D
D♯m/F♯
G♯m6/F
F♯/A♯
D7/C
A♯7/D

Chord Diagrams — Lubimiy gorod in D# (Guitar)

Display
FingerNoteDegree
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
G♯m6/F
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
D♯m/A♯
6frEADGBE111342
EADGBExx1342EADGBExx324111frEADGBE111134
G♯m6/B
EADGBE2x134x
4frEADGBE1112346frEADGBE111x329frEADGBE11x324
D7/C
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
A♯7/D
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234

Lubimiy gorod in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to C (descending minor third), C to A# (descending whole step), A# to F# (descending major third). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/4 · 32 bars · Form: A

Chords: A♯m, G♯m, D♯m/F♯, G♯m6/F, D♯m/A♯, G♯m6/B, D7/C, A♯7, D♯m, C♯7, F♯, D♯7, Cm7♭5, A♯7/D, F♯/A♯.

Scales for Improvisation D# bebop minor, D# bebop.

Diatonic chords: See all chords in the key of D#