Do Re MiC D E

Jeeves & Wooster

Anne Dudley2/2swing
A♯m/G
A♯m/G
A♯m/G
A♯m/G
A♯m/G
A♯7/G♯
A♯m/G
F♯7/B♭
A♯m/B
A♯/G♯
C7/A♯
F7/A
F7/F♯
A♯m/G
Bm/A♭
Bm/A♭
Bm/A♭
B7/A
Bm/A♭
G7/B
Bm/C
B7/A
C♯7/B
F♯7/B♭
F♯7/G
Bm/A♭
G/C♭
F♯/B♭
F♯7♯5
B7/A

Chord Diagrams — Jeeves & Wooster in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cdim
3frEADGBEx1243x
EADGBEx41x23
6frEADGBE31x42x
10frEADGBExx12x3
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
A♯m/G
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
Cdim7
EADGBExx1324
EADGBE11x234
7frEADGBE112x3x
10frEADGBE11xx34
A♯7/G♯
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
F♯7/B♭
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
D♯m
EADGBExx1342
EADGBExx3241
6frEADGBE111342
11frEADGBE111134
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
A♯m/B
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
A♯/G♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
C♯Maj7
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
C7/A♯
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
F7/A
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
F7/F♯
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
C♯dim
EADGBEx41x23
4frEADGBEx1243x
7frEADGBE31x42x
11frEADGBExx12x3
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/A♭
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
B7/A
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
G7/B
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
Bm/C
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
DMaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
C♯7/B
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯7/G
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
G/C♭
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
F♯/B♭
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
F♯7♯5
EADGBE1x234x
4frEADGBExx1423
7frEADGBEx4312
9frEADGBE11x432
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134

Explore More

Jeeves & Wooster in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to A# (ascending unison), A# to C (ascending whole step), C to A# (descending whole step), A# to F# (descending major third), F# to D# (descending minor third), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to C# (ascending minor third), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to C# (descending major third), C# to B (descending whole step), B to B (ascending unison), B to B (ascending unison), B to G (descending major third), G to E (descending minor third), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to F# (descending half step), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to C by tritone.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: Cdim, A♯m, A♯m/G, Cdim7, A♯7/G♯, F♯7/B♭, D♯m, F, A♯m/B, A♯/G♯, C♯Maj7, C7/A♯, F7/A, F7, F7/F♯, C♯dim, Bm, Bm/A♭, B7/A, G7/B, Em, F♯, Bm/C, DMaj7, C♯7/B, F♯7/G, G/C♭, F♯/B♭, F♯7♯5, C♯m7♭5, F♯7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#