Do Re MiC D E

Jeeves & Wooster

Anne Dudley2/2swing
G♯m/G
G♯m/G
G♯m/G
G♯m/G
G♯m/G
G♯7/G♯
G♯m/G
E7/B♭
G♯m/B
G♯/G♯
A♯7/A♯
D♯7/A
D♯7/F♯
G♯m/G
Am/A♭
Am/A♭
Am/A♭
A7/A
Am/A♭
F7/B
Am/C
A7/A
B7/B
E7/B♭
E7/G
Am/A♭
F/C♭
E/B♭
E7♯5
A7/A

Chord Diagrams — Jeeves & Wooster in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯dim
4frEADGBE31x42x
EADGBEx1243x
8frEADGBExx12x3
11frEADGBEx41x23
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
G♯m/G
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
A♯dim7
6frEADGBE111234
EADGBEx123
EADGBExx1324
8frEADGBExx1324
G♯7/G♯
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
E7/B♭
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
C♯m
6frEADGBE1132x4
EADGBEx4213x
4frEADGBE111342
9frEADGBE111134
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
G♯m/B
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
G♯/G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
BMaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
A♯7/A♯
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
D♯7/A
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
D♯7/F♯
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
Bdim
5frEADGBE31x42x
EADGBEx3x2
EADGBEx1243x
9frEADGBExx12x3
Am
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
Am/A♭
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
A7/A
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
F7/B
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Am/C
5frEADGBE111134
EADGBEx231
2frEADGBE444x1
7frEADGBEx1342
CMaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
B7/B
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E7/G
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
F/C♭
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
E/B♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E7♯5
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2

Explore More

Jeeves & Wooster in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to G# (ascending unison), G# to A# (ascending whole step), A# to G# (descending whole step), G# to E (descending major third), E to C# (descending minor third), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to B (ascending minor third), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to D# (ascending unison), D# to B (descending major third), B to A (descending whole step), A to A (ascending unison), A to A (ascending unison), A to F (descending major third), F to D (descending minor third), D to E (ascending whole step), E to A (ascending perfect fourth), A to C (ascending minor third), C to B (descending half step), B to E (ascending perfect fourth), E to F (ascending half step), F to E (descending half step), E to E (ascending unison), E to B (descending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A# by tritone.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: A♯dim, G♯m, G♯m/G, A♯dim7, G♯7/G♯, E7/B♭, C♯m, D♯, G♯m/B, G♯/G♯, BMaj7, A♯7/A♯, D♯7/A, D♯7, D♯7/F♯, Bdim, Am, Am/A♭, A7/A, F7/B, Dm, E, Am/C, CMaj7, B7/B, E7/G, F/C♭, E/B♭, E7♯5, Bm7♭5, E7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#