Do Re MiC D E

Jeeves & Wooster

Anne Dudley2/2swing
Cm/G
Cm/G
Cm/G
Cm/G
Cm/G
C7/G♯
Cm/G
G♯7/B♭
Cm/B
C/G♯
D7/A♯
G7/A
G7/F♯
Cm/G
C♯m/A♭
C♯m/A♭
C♯m/A♭
C♯7/A
C♯m/A♭
A7/B
C♯m/C
C♯7/A
D♯7/B
G♯7/B♭
G♯7/G
C♯m/A♭
A/C♭
G♯/B♭
G♯7♯5
C♯7/A

Chord Diagrams — Jeeves & Wooster in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Ddim
5frEADGBEx1243x
EADGBExx1x2
3frEADGBEx41x23
8frEADGBE31x42x
Cm
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Cm/G
5frEADGBE1142xx
EADGBEx3214
3frEADGBE111342
8frEADGBE111134
Ddim7
4frEADGBE11x234
EADGBExx23
7frEADGBEx2431
10frEADGBE111234
C7/G♯
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
G♯7/B♭
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Cm/B
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
C/G♯
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
D♯Maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
D7/A♯
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
G7/A
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
G7/F♯
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
D♯dim
4frEADGBEx41x23
EADGBExx12x3
6frEADGBEx1243x
9frEADGBE31x42x
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m/A♭
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯7/A
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
A7/B
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
C♯m/C
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
EMaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯7/B
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
G♯7/G
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
A/C♭
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134

Explore More

Jeeves & Wooster in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to C (descending whole step), C to C (ascending unison), C to D (ascending whole step), D to C (descending whole step), C to G# (descending major third), G# to F (descending minor third), F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to D# (ascending minor third), D# to D (descending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to D# (descending major third), D# to C# (descending whole step), C# to C# (ascending unison), C# to C# (ascending unison), C# to A (descending major third), A to F# (descending minor third), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to G# (descending half step), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to D by tritone.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: Ddim, Cm, Cm/G, Ddim7, C7/G♯, G♯7/B♭, Fm, G, Cm/B, C/G♯, D♯Maj7, D7/A♯, G7/A, G7, G7/F♯, D♯dim, C♯m, C♯m/A♭, C♯7/A, A7/B, F♯m, G♯, C♯m/C, EMaj7, D♯7/B, G♯7/G, A/C♭, G♯/B♭, G♯7♯5, D♯m7♭5, G♯7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#