Jeeves & Wooster in E

Anne Dudley()swing
Do Re MiC D E
A
F♯m/A
F♯m/A
F♯m/A
F♯m/A
F♯m/A
F♯m/A
F♯7/A♯
D7/C
F♯m/C♯
F♯/A♯
G♯7/C
C♯7/B
F♯m/A
C♯7/G♯
Gm/A♯
Gm/A♯
Gm/A♯
Gm/A♯
G7/B
D♯7/C♯
Gm/D
A7/C♯
D7/C
Gm/A♯
D7/A
D♯/C♭
D7♯5
D/C
G7/B

Chord Diagrams — Jeeves & Wooster in E (Guitar)

Display
FingerNoteDegree
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
G♯dim
EADGBE31x42x
6frEADGBExx12x39frEADGBEx41x2311frEADGBEx1243x
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
G♯dim7
EADGBExx12
EADGBE112x346frEADGBExx132410frEADGBE111234
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
D7/C
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
F♯m/C♯
4frEADGBE11x342
EADGBE1111345frEADGBExx32419frEADGBE111342
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
F♯/A♯
6frEADGBE111432
EADGBE1113424frEADGBE11x2439frEADGBE111234
G♯7/C
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯7/B
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
C♯7/G♯
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
Adim
EADGBEx132x
3frEADGBE31x42x7frEADGBExx12x310frEADGBEx41x23
Gm/A♯
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
G7/B
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
D♯7/C♯
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
Gm/D
10frEADGBE111342
EADGBE21343frEADGBE1111345frEADGBExx1342
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
A7/C♯
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D7/A
5frEADGBE111134
EADGBExx2133frEADGBEx3241x10frEADGBE111132
D♯/C♭
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
D7♯5
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
D/C
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132

Jeeves & Wooster in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to F# (descending whole step), F# to G# (ascending whole step), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to D (ascending minor third), D to F# (ascending major third), F# to C# (descending perfect fourth), C# to A (descending major third), A to F# (descending minor third), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to G (ascending tritone), G to A (ascending whole step), A to G (descending whole step), G to G (ascending unison), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G (ascending major third), G to D (descending perfect fourth), D to A# (descending major third), A# to A (descending half step), A to D (ascending perfect fourth), D to D# (ascending half step), D# to D (descending half step), D to D (ascending unison), D to A (descending perfect fourth), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F# by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: F♯m, G♯dim, F♯m/A, G♯dim7, F♯7/A♯, Bm, D7/C, F♯m/C♯, C♯, AMaj7, F♯/A♯, G♯7/C, C♯7, C♯7/B, C♯7/G♯, Gm, Adim, Gm/A♯, G7/B, Cm, D♯7/C♯, Gm/D, D, A♯Maj7, A7/C♯, D7/A, D♯/C♭, D7♯5, D/C, Am7♭5, D7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E