Do Re MiC D E

Jeeves & Wooster

Anne Dudley2/2swing
F♯m/G
F♯m/G
F♯m/G
F♯m/G
F♯m/G
F♯7/G♯
F♯m/G
D7/B♭
F♯m/B
F♯/G♯
G♯7/A♯
C♯7/A
C♯7/F♯
F♯m/G
Gm/A♭
Gm/A♭
Gm/A♭
G7/A
Gm/A♭
D♯7/B
Gm/C
A7/B
D7/B♭
D7/G
Gm/A♭
D♯/C♭
D/B♭
D7♯5
G7/A

Chord Diagrams — Jeeves & Wooster in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯dim
6frEADGBExx12x3
EADGBE31x42x
9frEADGBEx41x23
11frEADGBEx1243x
F♯m
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
F♯m/G
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
G♯dim7
6frEADGBExx1324
EADGBExx12
EADGBE112x34
10frEADGBE111234
F♯7/G♯
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
D7/B♭
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
Bm
7frEADGBE111134
EADGBE111342
9frEADGBExx1342
10frEADGBExx3241
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
F♯m/B
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
F♯/G♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G♯7/A♯
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯7/A
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
C♯7/F♯
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Adim
3frEADGBE31x42x
EADGBEx132x
7frEADGBExx12x3
10frEADGBEx41x23
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
Gm/A♭
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
G7/A
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
D♯7/B
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Gm/C
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
10frEADGBE111342
A♯Maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A7/B
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
D7/G
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
D♯/C♭
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
D/B♭
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
D7♯5
EADGBExx412
4frEADGBEx213x4
5frEADGBE11x432
10frEADGBE1x234x
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132

Explore More

Jeeves & Wooster in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to F# (ascending unison), F# to G# (ascending whole step), G# to F# (descending whole step), F# to D (descending major third), D to B (descending minor third), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to A (ascending minor third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to C# (ascending unison), C# to A (descending major third), A to G (descending whole step), G to G (ascending unison), G to G (ascending unison), G to D# (descending major third), D# to C (descending minor third), C to D (ascending whole step), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to A (descending half step), A to D (ascending perfect fourth), D to D# (ascending half step), D# to D (descending half step), D to D (ascending unison), D to A (descending perfect fourth), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G# by tritone.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: G♯dim, F♯m, F♯m/G, G♯dim7, F♯7/G♯, D7/B♭, Bm, C♯, F♯m/B, F♯/G♯, AMaj7, G♯7/A♯, C♯7/A, C♯7, C♯7/F♯, Adim, Gm, Gm/A♭, G7/A, D♯7/B, Cm, D, Gm/C, A♯Maj7, A7/B, D7/G, D♯/C♭, D/B♭, D7♯5, Am7♭5, D7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E