Do Re MiC D E

Jeeves & Wooster

Anne Dudley2/2swing
B7/G♯
Bm/G
G7/B♭
Bm/B
B/G♯
C♯7/A♯
F♯7/A
F♯7/F♯
Bm/G
Cm/A♭
Cm/A♭
Cm/A♭
C7/A
Cm/A♭
G♯7/B
Cm/C
D7/B
G7/B♭
G7/G
Cm/A♭
G♯/C♭
G/B♭
G7♯5
C7/A

Chord Diagrams — Jeeves & Wooster in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯dim
4frEADGBEx1243x
EADGBEx41x23
7frEADGBE31x42x
11frEADGBExx12x3
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
Bm/G
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C♯dim7
EADGBExx1324
3frEADGBE11x234
8frEADGBE112x3x
11frEADGBExx1324
B7/G♯
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
G7/B♭
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
Em
EADGBE23
2frEADGBE11342
7frEADGBE111342
9frEADGBE4312xx
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
Bm/B
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
B/G♯
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
DMaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
C♯7/A♯
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯7/A
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
F♯7/F♯
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
Ddim
3frEADGBEx41x23
EADGBExx1x2
5frEADGBEx1243x
8frEADGBE31x42x
Cm
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
Cm/A♭
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
C7/A
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
G♯7/B
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Cm/C
3frEADGBE111342
EADGBEx3214
5frEADGBE1142xx
8frEADGBE111134
D♯Maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
D7/B
3frEADGBEx3241x
EADGBExx213
5frEADGBE111134
10frEADGBE111132
G7/G
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
G♯/C♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G/B♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
G7♯5
EADGBE1x234x
EADGBE4312
5frEADGBExx1423
10frEADGBE11x432
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134

Explore More

Jeeves & Wooster in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to B (descending whole step), B to B (ascending unison), B to C# (ascending whole step), C# to B (descending whole step), B to G (descending major third), G to E (descending minor third), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to B (ascending unison), B to D (ascending minor third), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to F# (ascending unison), F# to D (descending major third), D to C (descending whole step), C to C (ascending unison), C to C (ascending unison), C to G# (descending major third), G# to F (descending minor third), F to G (ascending whole step), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to D (descending half step), D to G (ascending perfect fourth), G to G# (ascending half step), G# to G (descending half step), G to G (ascending unison), G to D (descending perfect fourth), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to C# by tritone.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: C♯dim, Bm, Bm/G, C♯dim7, B7/G♯, G7/B♭, Em, F♯, Bm/B, B/G♯, DMaj7, C♯7/A♯, F♯7/A, F♯7, F♯7/F♯, Ddim, Cm, Cm/A♭, C7/A, G♯7/B, Fm, G, Cm/C, D♯Maj7, D7/B, G7/G, G♯/C♭, G/B♭, G7♯5, Dm7♭5, G7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A