Jeeves & Wooster in A

Anne Dudley()swing
Do Re MiC D E
A
Bm/D
B7/D♯
G7/F
Bm/F♯
B/D♯
C♯7/F
F♯7/E
Bm/D
F♯7/C♯
Cm/D♯
Cm/D♯
Cm/D♯
Cm/D♯
C7/E
G♯7/F♯
Cm/G
D7/F♯
G7/F
Cm/D♯
G7/D
G♯/C♭
G7♯5
G/F
C7/E

Chord Diagrams — Jeeves & Wooster in A (Guitar)

Display
FingerNoteDegree
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
C♯dim
EADGBEx41x23
4frEADGBEx1243x7frEADGBE31x42x11frEADGBExx12x3
Bm/D
10frEADGBExx3241
EADGBE1113427frEADGBE1111349frEADGBExx1342
C♯dim7
EADGBExx1324
3frEADGBE11x2348frEADGBE112x3x11frEADGBExx1324
B7/D♯
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
G7/F
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
Bm/F♯
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
F♯
EADGBE111342
4frEADGBE11x2436frEADGBE1114329frEADGBE111234
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
C♯7/F
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯7/E
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
F♯7/C♯
4frEADGBE11x324
EADGBE1111327frEADGBEx3241x9frEADGBE111134
Cm
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
Ddim
EADGBExx1x2
3frEADGBEx41x235frEADGBEx1243x8frEADGBE31x42x
Cm/D♯
EADGBEx3214
3frEADGBE1113425frEADGBE1142xx8frEADGBE111134
C7/E
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
G♯7/F♯
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
Cm/G
3frEADGBE111342
EADGBEx32145frEADGBE1142xx8frEADGBE111134
G
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
D7/F♯
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
G7/D
5frEADGBE11x324
EADGBE3213frEADGBE11113210frEADGBE111134
G♯/C♭
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
G/F
EADGBE213
3frEADGBE1113425frEADGBE11x2437frEADGBE111432
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

Jeeves & Wooster in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to B (descending whole step), B to C# (ascending whole step), C# to B (descending whole step), B to E (ascending perfect fourth), E to G (ascending minor third), G to B (ascending major third), B to F# (descending perfect fourth), F# to D (descending major third), D to B (descending minor third), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to F# (ascending unison), F# to C (ascending tritone), C to D (ascending whole step), D to C (descending whole step), C to C (ascending unison), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to C (ascending major third), C to G (descending perfect fourth), G to D# (descending major third), D# to D (descending half step), D to G (ascending perfect fourth), G to G# (ascending half step), G# to G (descending half step), G to G (ascending unison), G to D (descending perfect fourth), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to B by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: Bm, C♯dim, Bm/D, C♯dim7, B7/D♯, Em, G7/F, Bm/F♯, F♯, DMaj7, B/D♯, C♯7/F, F♯7, F♯7/E, F♯7/C♯, Cm, Ddim, Cm/D♯, C7/E, Fm, G♯7/F♯, Cm/G, G, D♯Maj7, D7/F♯, G7/D, G♯/C♭, G7♯5, G/F, Dm7♭5, G7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A