Jeeves & Wooster in D#

Anne Dudley()swing
Do Re MiC D E
A
Fm/G♯
Fm/G♯
Fm/G♯
Fm/G♯
Fm/G♯
Fm/G♯
F7/A
C♯7/B
Fm/C
G7/B
C7/A♯
Fm/G♯
C7/G
F♯m/A
F♯m/A
F♯m/A
F♯m/A
F♯7/A♯
D7/C
F♯m/C♯
F♯7/A♯
G♯7/C
C♯7/B
F♯m/A
C♯7/G♯
D/C♭
C♯7♯5
C♯/B
F♯7/A♯

Chord Diagrams — Jeeves & Wooster in D# (Guitar)

Display
FingerNoteDegree
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Gdim
EADGBE31x42x
5frEADGBExx12x38frEADGBEx12x3210frEADGBEx1243x
Fm/G♯
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Gdim7
EADGBE31x42
EADGBE3x1423frEADGBE1112345frEADGBExx1324
F7/A
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m
EADGBE11x342
6frEADGBE1111346frEADGBE111xx38frEADGBExx1342
C♯7/B
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
Fm/C
8frEADGBE111342
EADGBE1111343frEADGBExx134210frEADGBE1142xx
C
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
F/A
5frEADGBE111432
EADGBE1113423frEADGBE11x2438frEADGBE111234
G7/B
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C7/A♯
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
C7/G
3frEADGBE111134
EADGBEx32415frEADGBE111xx28frEADGBE111132
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
G♯dim
EADGBE31x42x
6frEADGBExx12x39frEADGBEx41x2311frEADGBEx1243x
F♯m/A
5frEADGBExx3241
EADGBE1111344frEADGBE11x3429frEADGBE111342
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
D7/C
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
F♯m/C♯
4frEADGBE11x342
EADGBE1111345frEADGBExx32419frEADGBE111342
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
G♯7/C
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯7/G♯
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
D/C♭
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
C♯/B
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132

Jeeves & Wooster in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to G (ascending whole step), G to F (descending whole step), F to G (ascending whole step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to F (ascending major third), F to C (descending perfect fourth), C to G# (descending major third), G# to F (descending minor third), F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to C (ascending unison), C to F# (ascending tritone), F# to G# (ascending whole step), G# to F# (descending whole step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to D (ascending minor third), D to F# (ascending major third), F# to C# (descending perfect fourth), C# to A (descending major third), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C# (descending half step), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: Fm, Gdim, Fm/G♯, Gdim7, F7/A, A♯m, C♯7/B, Fm/C, C, G♯Maj7, F/A, G7/B, C7, C7/A♯, C7/G, F♯m, G♯dim, F♯m/A, F♯7/A♯, Bm, D7/C, F♯m/C♯, C♯, AMaj7, G♯7/C, C♯7/G♯, D/C♭, C♯7♯5, C♯/B, G♯m7♭5, C♯7.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#