Jeeves & Wooster in C

Anne Dudley()swing
Do Re MiC D E
A
Dm/F
Dm/F
Dm/F
Dm/F
Dm/F
Dm/F
D7/F♯
A♯7/G♯
Dm/A
D/F♯
E7/G♯
A7/G
Dm/F
A7/E
D♯m/F♯
D♯m/F♯
D♯m/F♯
D♯m/F♯
D♯7/G
B7/A
D♯m/A♯
D♯7/G
F7/A
A♯7/G♯
D♯m/F♯
A♯7/F
B/C♭
A♯7♯5
A♯/G♯
D♯7/G

Chord Diagrams — Jeeves & Wooster in C (Guitar)

Display
FingerNoteDegree
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
Edim
EADGBExx12x3
5frEADGBEx41x237frEADGBEx1243x10frEADGBE31x42x
Dm/F
6frEADGBEx4231x
EADGBExx2315frEADGBE11134210frEADGBE111134
Edim7
EADGBE123
EADGBExx13246frEADGBEx2314x11frEADGBE112x3x
D7/F♯
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
A♯7/G♯
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
Dm/A
5frEADGBE111342
EADGBExx2316frEADGBEx4231x10frEADGBE111134
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
D/F♯
2frEADGBE111432
EADGBExx1325frEADGBE11123410frEADGBE111342
E7/G♯
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
A7/G
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
A7/E
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
D♯7/G
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
B7/A
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D♯m/A♯
6frEADGBE111342
EADGBExx1342EADGBExx324111frEADGBE111134
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F7/A
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯7/F
8frEADGBE11x324
EADGBE111x346frEADGBE11113211frEADGBEx3241x
B/C♭
7frEADGBE111342
EADGBE1112344frEADGBE111xx49frEADGBE11x243
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
A♯/G♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x

Jeeves & Wooster in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to E (ascending whole step), E to D (descending whole step), D to E (ascending whole step), E to D (descending whole step), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to D (ascending major third), D to A (descending perfect fourth), A to F (descending major third), F to D (descending minor third), D to E (ascending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to A (ascending unison), A to D# (ascending tritone), D# to F (ascending whole step), F to D# (descending whole step), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to D# (ascending major third), D# to A# (descending perfect fourth), A# to F# (descending major third), F# to F (descending half step), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A# (descending half step), A# to A# (ascending unison), A# to F (descending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to D by major third.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: Dm, Edim, Dm/F, Edim7, D7/F♯, Gm, A♯7/G♯, Dm/A, A, FMaj7, D/F♯, E7/G♯, A7, A7/G, A7/E, D♯m, Fdim, D♯m/F♯, D♯7/G, G♯m, B7/A, D♯m/A♯, A♯, F♯Maj7, F7/A, A♯7/F, B/C♭, A♯7♯5, A♯/G♯, Fm7♭5, A♯7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C