Jeeves & Wooster in C#

Anne Dudley()swing
Do Re MiC D E
A
D♯m/F♯
D♯m/F♯
D♯m/F♯
D♯m/F♯
D♯m/F♯
D♯m/F♯
D♯7/G
B7/A
D♯m/A♯
D♯/G
F7/A
A♯7/G♯
D♯m/F♯
A♯7/F
Em/G
E7/G♯
C7/A♯
Em/B
E7/G♯
F♯7/A♯
B7/A
Em/G
B7/F♯
C/C♭
B7♯5
B/A
E7/G♯

Chord Diagrams — Jeeves & Wooster in C# (Guitar)

Display
FingerNoteDegree
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
Fdim
EADGBExx12x3
6frEADGBEx41x238frEADGBEx1243x11frEADGBE31x42x
D♯m/F♯
EADGBExx3241
EADGBExx13426frEADGBE11134211frEADGBE111134
Fdim7
EADGBE1x23
EADGBE11xx347frEADGBE11123412frEADGBE3x142x
D♯7/G
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m
4frEADGBE111134
6frEADGBExx13427frEADGBExx324111frEADGBE111342
B7/A
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
D♯m/A♯
6frEADGBE111342
EADGBExx1342EADGBExx324111frEADGBE111134
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
D♯/G
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
F7/A
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A♯7/G♯
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
A♯7/F
8frEADGBE11x324
EADGBE111x346frEADGBE11113211frEADGBEx3241x
Em
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
F♯dim
EADGBE2x31x
4frEADGBExx12x37frEADGBEx41x239frEADGBEx1243x
Em/G
EADGBE23
2frEADGBE113427frEADGBE1113429frEADGBE4312xx
E7/G♯
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
C7/A♯
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
Em/B
7frEADGBE111342
EADGBE232frEADGBE113429frEADGBE4312xx
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
F♯7/A♯
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B7/F♯
EADGBE111134
EADGBEx21344frEADGBE111xx27frEADGBE111132
C/C♭
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
B/A
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132

Jeeves & Wooster in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to F (ascending whole step), F to D# (descending whole step), D# to F (ascending whole step), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to D# (ascending major third), D# to A# (descending perfect fourth), A# to F# (descending major third), F# to D# (descending minor third), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to E (ascending tritone), E to F# (ascending whole step), F# to E (descending whole step), E to E (ascending unison), E to A (ascending perfect fourth), A to C (ascending minor third), C to E (ascending major third), E to B (descending perfect fourth), B to G (descending major third), G to F# (descending half step), F# to B (ascending perfect fourth), B to C (ascending half step), C to B (descending half step), B to B (ascending unison), B to F# (descending perfect fourth), F# to B (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from B to D# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 46 bars · Form: A

Chords: D♯m, Fdim, D♯m/F♯, Fdim7, D♯7/G, G♯m, B7/A, D♯m/A♯, A♯, F♯Maj7, D♯/G, F7/A, A♯7, A♯7/G♯, A♯7/F, Em, F♯dim, Em/G, E7/G♯, Am, C7/A♯, Em/B, B, GMaj7, F♯7/A♯, B7/F♯, C/C♭, B7♯5, B/A, F♯m7♭5, B7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#