Countdown in A

John Coltrane(1959)swing
Do Re MiC D E
A
B
E13
D♯m11
D13
C♯m11
A♯13
C13
Bm11
G♯13
D♯m11
E13
D♯m11
E9sus4

Chord Diagrams — Countdown in A (Guitar)

Display
FingerNoteDegree
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
D7♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
E9sus4
E - A - B - D - F♯
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134

Countdown in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to D# (descending half step), D# to C (descending minor third), C to A (descending minor third), A to G# (descending half step), G# to F (descending minor third), F to C# (descending major third), C# to D (ascending half step), D to C# (descending half step), C# to A# (descending minor third), A# to G (descending minor third), G to F# (descending half step), F# to D# (descending minor third), D# to B (descending major third), B to B (ascending unison), B to G# (descending minor third), G# to E (descending major third), E to D (descending whole step), D to E (ascending whole step), E to G# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to E by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: E13, D♯m11, C13, AMaj7, G♯7♭9, FMaj7, C♯Maj7, D13, C♯m11, A♯13, GMaj7, F♯9, D♯Maj7, BMaj7, Bm11, G♯13, E7, D7♯11, E9sus4, G♯7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A