Countdown in G#

John Coltrane(1959)swing
Do Re MiC D E
A
B
D♯13
Dm11
C♯13
Cm11
B13
A♯m11
Dm11
D♯13
Dm11
D♯9sus4

Chord Diagrams — Countdown in G# (Guitar)

Display
FingerNoteDegree
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G7♭9
EADGBE11324
EADGBE111x234frEADGBE11xx239frEADGBE11x234
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
C♯7♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
D♯9sus4
D♯ - G♯ - A♯ - C♯ - F
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

Countdown in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D (descending half step), D to B (descending minor third), B to G# (descending minor third), G# to G (descending half step), G to E (descending minor third), E to C (descending major third), C to C# (ascending half step), C# to C (descending half step), C to A (descending minor third), A to F# (descending minor third), F# to F (descending half step), F to D (descending minor third), D to A# (descending major third), A# to A# (ascending unison), A# to G (descending minor third), G to D# (descending major third), D# to C# (descending whole step), C# to D# (ascending whole step), D# to G (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to D# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: D♯13, Dm11, B13, G♯Maj7, G7♭9, EMaj7, CMaj7, C♯13, Cm11, A13, F♯Maj7, F9, DMaj7, A♯Maj7, A♯m11, G13, D♯7, C♯7♯11, D♯9sus4, G7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#