Countdown in F#

John Coltrane(1959)swing
Do Re MiC D E
A
B
Cm11
C♯13
A♯m11
B13
G♯m11
A13
Cm11
Cm11
C♯13
C♯9sus4

Chord Diagrams — Countdown in F# (Guitar)

Display
FingerNoteDegree
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
B7♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
C♯9sus4
C♯ - F♯ - G♯ - B - D♯
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2

Countdown in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to D (ascending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to B (ascending half step), B to E (ascending perfect fourth), E to G (ascending minor third), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to F (descending minor third), F to C# (descending major third), C# to B (descending whole step), B to C# (ascending whole step), C# to F (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to C by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: Cm11, C♯13, F♯Maj7, A13, DMaj7, F7♭9, A♯Maj7, A♯m11, B13, EMaj7, G13, CMaj7, D♯9, G♯Maj7, G♯m11, F13, C♯7, B7♯11, C♯9sus4, F7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#