Countdown in E

John Coltrane(1959)swing
Do Re MiC D E
A
B
A♯m11
B13
G♯m11
A13
F♯m11
G13
D♯13
A♯m11
A♯m11
B13
B9sus4

Chord Diagrams — Countdown in E (Guitar)

Display
FingerNoteDegree
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
D♯7♭9
EADGBExx24
5frEADGBE11x2346frEADGBE11x349frEADGBE3241xx
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
F♯m11
EADGBE231
EADGBE1111144frEADGBE11xx237frEADGBE11x234
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
A7♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
B9sus4
B - E - F♯ - A - C♯
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132

Countdown in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to B (ascending half step), B to E (ascending perfect fourth), E to G (ascending minor third), G to C (ascending perfect fourth), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to A (ascending half step), A to D (ascending perfect fourth), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to D# (descending minor third), D# to B (descending major third), B to A (descending whole step), A to B (ascending whole step), B to D# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to A# by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: A♯m11, B13, EMaj7, G13, CMaj7, D♯7♭9, G♯Maj7, G♯m11, A13, DMaj7, F13, A♯Maj7, C♯9, F♯Maj7, F♯m11, D♯13, B7, A7♯11, B9sus4, D♯7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E