Countdown in G

John Coltrane(1959)swing
Do Re MiC D E
A
B
C♯m11
D13
A♯13
Bm11
C13
G♯13
Am11
A♯13
F♯13
C♯m11
C♯m11
D13
A♯13
D9sus4

Chord Diagrams — Countdown in G (Guitar)

Display
FingerNoteDegree
C♯m11
EADGBE111x23
7frEADGBE1113429frEADGBE11111411frEADGBE11xx23
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
F♯7♭9
EADGBE2134
3frEADGBE11xx238frEADGBE11x23412frEADGBE3241xx
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Bm11
EADGBEx123
5frEADGBE1113427frEADGBE1111149frEADGBE1122xx
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
Am11
EADGBEx1
3frEADGBE1113425frEADGBE11111410frEADGBE11x234
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
C7♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
D9sus4
D - G - A - C - E
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134

Countdown in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to D (ascending half step), D to G (ascending perfect fourth), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to C (ascending half step), C to F (ascending perfect fourth), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to E (ascending minor third), E to A (ascending perfect fourth), A to A (ascending unison), A to F# (descending minor third), F# to D (descending major third), D to C (descending whole step), C to D (ascending whole step), D to F# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to C# by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: C♯m11, D13, GMaj7, A♯13, D♯Maj7, F♯7♭9, BMaj7, Bm11, C13, FMaj7, G♯13, C♯Maj7, E9, AMaj7, Am11, F♯13, D7, C7♯11, D9sus4, F♯7.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G