Countdown in A#

John Coltrane(1959)swing
Do Re MiC D E
A
B
F13
Em11
C♯13
D♯13
Dm11
C♯13
Cm11
Em11
F13
Em11
C♯13
F9sus4

Chord Diagrams — Countdown in A# (Guitar)

Display
FingerNoteDegree
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
A7♭9
EADGBE11x23
5frEADGBE1114236frEADGBE11xx2311frEADGBE11x234
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
D♯7♯11
EADGBExx1234
5frEADGBE11x2346frEADGBE11x23x10frEADGBE111234
F9sus4
F - B♭ - C - E♭ - G
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324

Countdown in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to E (descending half step), E to C# (descending minor third), C# to A# (descending minor third), A# to A (descending half step), A to F# (descending minor third), F# to D (descending major third), D to D# (ascending half step), D# to D (descending half step), D to B (descending minor third), B to G# (descending minor third), G# to G (descending half step), G to E (descending minor third), E to C (descending major third), C to C (ascending unison), C to A (descending minor third), A to F (descending major third), F to D# (descending whole step), D# to F (ascending whole step), F to A (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to F by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: F13, Em11, C♯13, A♯Maj7, A7♭9, F♯Maj7, DMaj7, D♯13, Dm11, B13, G♯Maj7, G9, EMaj7, CMaj7, Cm11, A13, F7, D♯7♯11, F9sus4, A7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#