Do Re MiC D E

Countdown

John Coltrane(1959)2/2swing

Chord Diagrams — Countdown in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
Em11
EADGBE1
3frEADGBE321
5frEADGBE11x234
10frEADGBE111342
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
A♯Maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
F♯Maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
DMaj7
2frEADGBE111x43
EADGBE111xx
5frEADGBE111324
7frEADGBE111xx4
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
Dm11
8frEADGBE111342
EADGBE11xx
3frEADGBE11x234
10frEADGBE111114
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
G♯Maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
G9
9frEADGBE221334
EADGBE31
EADGBE11234x
3frEADGBE111324
EMaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
CMaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Cm11
6frEADGBE111342
EADGBE11x234
EADGBE1111x2
8frEADGBE111114
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
D♯7♯11
5frEADGBE11x234
EADGBExx1234
6frEADGBE11x23x
10frEADGBE111234
F9sus4
F - B♭ - C - E♭ - G
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324

Explore More

Countdown in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to E (descending half step), E to C# (descending minor third), C# to A# (descending minor third), A# to A (descending half step), A to F# (descending minor third), F# to D (descending major third), D to D# (ascending half step), D# to D (descending half step), D to B (descending minor third), B to G# (descending minor third), G# to G (descending half step), G to E (descending minor third), E to C (descending major third), C to C (ascending unison), C to A (descending minor third), A to F (descending major third), F to D# (descending whole step), D# to F (ascending whole step), F to A (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to F by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: F13, Em11, C♯13, A♯Maj7, A7♭9, F♯Maj7, DMaj7, D♯13, Dm11, B13, G♯Maj7, G9, EMaj7, CMaj7, Cm11, A13, F7, D♯7♯11, F9sus4, A7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#