Countdown in C#

John Coltrane(1959)swing
Do Re MiC D E
A
B
G♯13
Gm11
F♯13
Fm11
E13
D♯m11
Gm11
G♯13
Gm11
G♯9sus4

Chord Diagrams — Countdown in C# (Guitar)

Display
FingerNoteDegree
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
Gm11
EADGBE2x341x
3frEADGBE1111145frEADGBE11xx238frEADGBE11x234
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
C7♭9
EADGBE11x234
6frEADGBE3241xx8frEADGBE111x239frEADGBExx3142
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
F♯13
EADGBE2314
EADGBE1112347frEADGBEx42319frEADGBE111134
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
D♯m11
EADGBE11xx34
4frEADGBE11x2349frEADGBE11134211frEADGBE111114
C13
2frEADGBE44x213
3frEADGBE1111346frEADGBE2223418frEADGBE111324
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
F♯7♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
G♯9sus4
G♯ - C♯ - D♯ - F♯ - A♯
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132

Countdown in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to E (descending minor third), E to C# (descending minor third), C# to C (descending half step), C to A (descending minor third), A to F (descending major third), F to F# (ascending half step), F# to F (descending half step), F to D (descending minor third), D to B (descending minor third), B to A# (descending half step), A# to G (descending minor third), G to D# (descending major third), D# to D# (ascending unison), D# to C (descending minor third), C to G# (descending major third), G# to F# (descending whole step), F# to G# (ascending whole step), G# to C (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: G♯13, Gm11, E13, C♯Maj7, C7♭9, AMaj7, FMaj7, F♯13, Fm11, D13, BMaj7, A♯9, GMaj7, D♯Maj7, D♯m11, C13, G♯7, F♯7♯11, G♯9sus4, C7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#