Do Re MiC D E

Countdown

John Coltrane(1959)2/2swing

Chord Diagrams — Countdown in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
Gm11
5frEADGBE11xx23
EADGBE2x341x
3frEADGBE111114
8frEADGBE11x234
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
FMaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
F♯13
EADGBE2314
EADGBE111234
7frEADGBEx4231
9frEADGBE111134
Fm11
EADGBE111114
EADGBE11xx23
6frEADGBE11x234
11frEADGBE111342
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
BMaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
A♯9
EADGBEx1234
5frEADGBE11234x
6frEADGBE111324
12frEADGBEx21333
GMaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
D♯Maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F♯7♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
G♯9sus4
G♯ - C♯ - D♯ - F♯ - A♯
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132

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Countdown in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to E (descending minor third), E to C# (descending minor third), C# to C (descending half step), C to A (descending minor third), A to F (descending major third), F to F# (ascending half step), F# to F (descending half step), F to D (descending minor third), D to B (descending minor third), B to A# (descending half step), A# to G (descending minor third), G to D# (descending major third), D# to D# (ascending unison), D# to C (descending minor third), C to G# (descending major third), G# to F# (descending whole step), F# to G# (ascending whole step), G# to C (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to G# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: G♯13, Gm11, E13, C♯Maj7, C7♭9, AMaj7, FMaj7, F♯13, Fm11, D13, BMaj7, A♯9, GMaj7, D♯Maj7, D♯m11, C13, G♯7, F♯7♯11, G♯9sus4, C7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#