Do Re MiC D E

Countdown

John Coltrane(1959)2/2swing

Chord Diagrams — Countdown in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
Fm11
EADGBE11xx23
EADGBE111114
6frEADGBE11x234
11frEADGBE111342
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
BMaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
GMaj7
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
D♯Maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
D♯m11
EADGBE11xx34
4frEADGBE11x234
9frEADGBE111342
11frEADGBE111114
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G♯9
EADGBE11234x
4frEADGBE111324
5frEADGBExx2143
10frEADGBE221334
FMaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
C♯Maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
C♯m11
EADGBE111x23
7frEADGBE111342
9frEADGBE111114
11frEADGBE11xx23
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
E7♯11
EADGBE12
3frEADGBE3142
6frEADGBE11x234
11frEADGBE111234
F♯9sus4
F♯ - B - C♯ - E - G♯
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x

Explore More

Countdown in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F# to F (descending half step), F to D (descending minor third), D to B (descending minor third), B to A# (descending half step), A# to G (descending minor third), G to D# (descending major third), D# to E (ascending half step), E to D# (descending half step), D# to C (descending minor third), C to A (descending minor third), A to G# (descending half step), G# to F (descending minor third), F to C# (descending major third), C# to C# (ascending unison), C# to A# (descending minor third), A# to F# (descending major third), F# to E (descending whole step), E to F# (ascending whole step), F# to A# (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to F# by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 29 bars · Form: AB

Chords: F♯13, Fm11, D13, BMaj7, A♯7♭9, GMaj7, D♯Maj7, E13, D♯m11, C13, AMaj7, G♯9, FMaj7, C♯Maj7, C♯m11, A♯13, F♯7, E7♯11, F♯9sus4, A♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B