Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
G♯13
A/C♭
A♯maj7/F♯
C/F♯
A♯maj7/F♯
A♯maj7/F♯
C/F♯
D♯maj7♯11/F♯
E13
D♯maj7♯11
A♯maj7/F♯
C/F♯
A♯maj7/F♯
A♯maj7/F♯
C/F♯
A♯maj7/F♯

Chord Diagrams — Better Days Ahead in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C/F♯
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
G69
4frEADGBEx22134
EADGBE1
EADGBE111234
9frEADGBE11x234
D♯/A
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
E9♯11
3frEADGBE3142
EADGBE12
6frEADGBE11x234
11frEADGBE111234
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
A7♭9
EADGBE11x23
5frEADGBE111423
6frEADGBE11xx23
11frEADGBE11x234
Dmaj7
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx24
8frEADGBE2x341x
11frEADGBE222xx1
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
G♯m7♭5
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
11frEADGBEx1324x
A/C♭
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
A♯maj7/F♯
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
D♯maj7♯11/F♯
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
10frEADGBE111123
E13
EADGBE213
EADGBE123
5frEADGBE1342
7frEADGBE111134
D♯maj7♯11
EADGBEx314x
3frEADGBE11x423
6frEADGBE11x234
10frEADGBE111123
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132

Explore More

Better Days Ahead in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to G (descending perfect fourth), G to D# (descending major third), D# to A# (descending perfect fourth), A# to E (ascending tritone), E to D# (descending half step), D# to C (descending minor third), C to D (ascending whole step), D to G (ascending perfect fourth), G to F (descending whole step), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G# (ascending major third), G# to G (descending half step), G to F# (descending half step), F# to A (ascending minor third), A to G# (descending half step), G# to A (ascending half step), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to D# (descending half step), D# to B (descending major third), B to C (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C by unison.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: C/F♯, G69, D♯/A, A♯maj9, E9♯11, D♯maj7, Cm7, Dm7, Gm7, Fm7, A♯7, Em7, A7♭9, Dmaj7, C♯m7♭5, F♯7♭9, Bm7, E7, G♯13, Gmaj7, F♯m7, Am7, G♯m7♭5, A/C♭, A♯maj7/F♯, D♯maj7♯11/F♯, E13, D♯maj7♯11, B7, C7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#