Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
F/C♭
F♯maj7/F♯
G♯/F♯
F♯maj7/F♯
F♯maj7/F♯
G♯/F♯
Bmaj7♯11/F♯
C13
Bmaj7♯11
F♯maj7/F♯
G♯/F♯
F♯maj7/F♯
F♯maj7/F♯
G♯/F♯
F♯maj7/F♯

Chord Diagrams — Better Days Ahead in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯/F♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D♯69
5frEADGBE11x234
EADGBExx234
EADGBE1111x2
10frEADGBE111234
B/A
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯maj9
3frEADGBExx2143
EADGBE111243
EADGBE11x234
8frEADGBE22143x
C9♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
Am7♭5
EADGBEx23x
4frEADGBE2x341x
5frEADGBE111234
7frEADGBE222xx1
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
D♯maj7
6frEADGBE111324
EADGBE11333x
3frEADGBE111x43
8frEADGBE111xx4
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
Em7♭5
8frEADGBE11xx24
EADGBE33312
7frEADGBEx1324x
11frEADGBE2x341x
F/C♭
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F♯maj7/F♯
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
Bmaj7♯11/F♯
7frEADGBE111234
EADGBE11x234
6frEADGBE111123
11frEADGBE11x423
C13
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
Bmaj7♯11
7frEADGBE111234
EADGBE11x234
6frEADGBE111123
11frEADGBE11x423
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134

Explore More

Better Days Ahead in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to D# (descending perfect fourth), D# to B (descending major third), B to F# (descending perfect fourth), F# to C (ascending tritone), C to B (descending half step), B to G# (descending minor third), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to A (descending half step), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to E (ascending major third), E to D# (descending half step), D# to D (descending half step), D to F (ascending minor third), F to E (descending half step), E to F (ascending half step), F to F# (ascending half step), F# to B (ascending perfect fourth), B to C (ascending half step), C to B (descending half step), B to G (descending major third), G to G# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to G# by unison.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: G♯/F♯, D♯69, B/A, F♯maj9, C9♯11, Bmaj7, G♯m7, A♯m7, D♯m7, C♯m7, F♯7, Cm7, F7♭9, A♯maj7, Am7♭5, D7♭9, Gm7, C7, E13, D♯maj7, Dm7, Fm7, Em7♭5, F/C♭, F♯maj7/F♯, Bmaj7♯11/F♯, C13, Bmaj7♯11, G7, G♯7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E