Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
Dmaj7/F♯
E/F♯
Gmaj7♯11/F♯
G♯13
Gmaj7♯11
Dmaj7/F♯
E/F♯
Dmaj7/F♯
Dmaj7/F♯
E/F♯
Dmaj7/F♯

Chord Diagrams — Better Days Ahead in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E/F♯
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
B69
6frEADGBE111234
EADGBE11x234
8frEADGBEx22134
11frEADGBE11x432
G/A
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Dmaj9
4frEADGBEx2143x
2frEADGBE1111x4
7frEADGBEx2314
10frEADGBE11x234
G♯9♯11
3frEADGBE2x341x
6frEADGBExx1234
10frEADGBE11x234
11frEADGBE111x23
Gmaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
Fm7♭5
EADGBE222xx1
EADGBE1x23x
8frEADGBEx1324x
11frEADGBE2134x
A♯7♭9
4frEADGBE3241xx
EADGBEx123
6frEADGBE111x23
12frEADGBE11x234
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
C13
6frEADGBE222341
2frEADGBE44x213
3frEADGBE111134
8frEADGBE111324
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
C♯/C♭
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
Dmaj7/F♯
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
Gmaj7♯11/F♯
7frEADGBE11x423
EADGBE111133
3frEADGBE111234
10frEADGBE11x234
G♯13
10frEADGBE44x213
EADGBE111432
4frEADGBE111324
4frEADGBE111234
Gmaj7♯11
10frEADGBE11x234
EADGBE111133
3frEADGBE111234
7frEADGBE11x423
D♯7
11frEADGBE111132
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
E7
9frEADGBE111xx2
EADGBE21
5frEADGBEx3241x
7frEADGBE111134

Explore More

Better Days Ahead in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to B (descending perfect fourth), B to G (descending major third), G to D (descending perfect fourth), D to G# (ascending tritone), G# to G (descending half step), G to E (descending minor third), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to A (descending whole step), A to D (ascending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to C (ascending major third), C to B (descending half step), B to A# (descending half step), A# to C# (ascending minor third), C# to C (descending half step), C to C# (ascending half step), C# to D (ascending half step), D to G (ascending perfect fourth), G to G# (ascending half step), G# to G (descending half step), G to D# (descending major third), D# to E (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to E by unison.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: E/F♯, B69, G/A, Dmaj9, G♯9♯11, Gmaj7, Em7, F♯m7, Bm7, Am7, D7, G♯m7, C♯7♭9, F♯maj7, Fm7♭5, A♯7♭9, D♯m7, G♯7, C13, Bmaj7, A♯m7, C♯m7, Cm7♭5, C♯/C♭, Dmaj7/F♯, Gmaj7♯11/F♯, G♯13, Gmaj7♯11, D♯7, E7.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C