Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
C/C♭
C♯maj7/F♯
D♯/F♯
C♯maj7/F♯
C♯maj7/F♯
D♯/F♯
F♯maj7♯11/F♯
G13
F♯maj7♯11
C♯maj7/F♯
D♯/F♯
C♯maj7/F♯
C♯maj7/F♯
D♯/F♯
C♯maj7/F♯

Chord Diagrams — Better Days Ahead in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯/F♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
A♯69
5frEADGBE111234
EADGBEx123
7frEADGBEx22134
12frEADGBE11x234
F♯/A
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
C♯maj9
3frEADGBEx2143x
EADGBE1111x4
8frEADGBE111243
10frEADGBExx2143
G9♯11
EADGBE111234
5frEADGBExx1234
9frEADGBE11x234
10frEADGBE111x23
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
C7♭9
6frEADGBE3241xx
EADGBE11x234
8frEADGBE111x23
9frEADGBExx3142
Fmaj7
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
Em7♭5
8frEADGBE11xx24
EADGBE33312
7frEADGBEx1324x
11frEADGBE2x341x
A7♭9
6frEADGBE11xx23
EADGBE11x23
5frEADGBE111423
11frEADGBE11x234
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
A♯maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
C/C♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C♯maj7/F♯
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
F♯maj7♯11/F♯
EADGBE111123
4frEADGBE11x234
6frEADGBE11x423
9frEADGBE11x234
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334
F♯maj7♯11
EADGBE111123
4frEADGBE11x234
6frEADGBE11x423
9frEADGBE11x234
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132

Explore More

Better Days Ahead in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through D# to A# (descending perfect fourth), A# to F# (descending major third), F# to C# (descending perfect fourth), C# to G (ascending tritone), G to F# (descending half step), F# to D# (descending minor third), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to B (ascending major third), B to A# (descending half step), A# to A (descending half step), A to C (ascending minor third), C to B (descending half step), B to C (ascending half step), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to F# (descending half step), F# to D (descending major third), D to D# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to D# by unison.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: D♯/F♯, A♯69, F♯/A, C♯maj9, G9♯11, F♯maj7, D♯m7, Fm7, A♯m7, G♯m7, C♯7, Gm7, C7♭9, Fmaj7, Em7♭5, A7♭9, Dm7, G7, B13, A♯maj7, Am7, Cm7, Bm7♭5, C/C♭, C♯maj7/F♯, F♯maj7♯11/F♯, G13, F♯maj7♯11, D7, D♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B