Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
A♯/C♭
Bmaj7/F♯
C♯/F♯
Bmaj7/F♯
Bmaj7/F♯
C♯/F♯
Emaj7♯11/F♯
F13
Emaj7♯11
Bmaj7/F♯
C♯/F♯
Bmaj7/F♯
Bmaj7/F♯
C♯/F♯
Bmaj7/F♯

Chord Diagrams — Better Days Ahead in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯/F♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯69
5frEADGBExx2134
EADGBE11111x
EADGBE111234
10frEADGBE11x234
E/A
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
F9♯11
3frEADGBExx1234
EADGBE123
7frEADGBE11x234
8frEADGBE111x23
Emaj7
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7♭9
4frEADGBE3241xx
EADGBEx123
6frEADGBE111x23
12frEADGBE11x234
D♯maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
G7♭9
EADGBE111x23
EADGBE11324
4frEADGBE11xx23
9frEADGBE11x234
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Am7♭5
5frEADGBE111234
EADGBEx23x
4frEADGBE2x341x
7frEADGBE222xx1
A♯/C♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
Bmaj7/F♯
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
Emaj7♯11/F♯
7frEADGBE11x234
EADGBE11234
4frEADGBE11x423
11frEADGBE111123
F13
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
Emaj7♯11
7frEADGBE11x234
EADGBE11234
4frEADGBE11x423
11frEADGBE111123
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
C♯7
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432

Explore More

Better Days Ahead in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to G# (descending perfect fourth), G# to E (descending major third), E to B (descending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to C# (descending minor third), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to B (ascending perfect fourth), B to F (ascending tritone), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to D (descending half step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A (ascending major third), A to G# (descending half step), G# to G (descending half step), G to A# (ascending minor third), A# to A (descending half step), A to A# (ascending half step), A# to B (ascending half step), B to E (ascending perfect fourth), E to F (ascending half step), F to E (descending half step), E to C (descending major third), C to C# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to C# by unison.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: C♯/F♯, G♯69, E/A, Bmaj9, F9♯11, Emaj7, C♯m7, D♯m7, G♯m7, F♯m7, B7, Fm7, A♯7♭9, D♯maj7, Dm7♭5, G7♭9, Cm7, F7, A13, G♯maj7, Gm7, A♯m7, Am7♭5, A♯/C♭, Bmaj7/F♯, Emaj7♯11/F♯, F13, Emaj7♯11, C7, C♯7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A