Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
D♯13
E/C♭
Fmaj7/F♯
G/F♯
Fmaj7/F♯
Fmaj7/F♯
G/F♯
A♯maj7♯11/F♯
A♯maj7♯11
Fmaj7/F♯
G/F♯
Fmaj7/F♯
Fmaj7/F♯
G/F♯
Fmaj7/F♯

Chord Diagrams — Better Days Ahead in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G/F♯
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D69
2frEADGBEx431
4frEADGBE11x234
9frEADGBE111234
11frEADGBEx22134
A♯/A
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Fmaj9
EADGBExx2314
EADGBE132
7frEADGBEx2143x
10frEADGBE11xx34
B9♯11
EADGBE11x234
EADGBE111x23
6frEADGBE2x341x
9frEADGBExx1234
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Amaj7
EADGBEx213
EADGBE111x4
5frEADGBE111423
7frEADGBE333x1
G♯m7♭5
EADGBExx13
EADGBE2x341x
6frEADGBE222xx1
11frEADGBEx1324x
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
D♯m7♭5
7frEADGBE11xx24
EADGBE222xx1
6frEADGBEx1324x
10frEADGBE2x341x
E/C♭
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
Fmaj7/F♯
8frEADGBE111324
EADGBExx321
EADGBE111423
3frEADGBE11x333
A♯maj7♯11/F♯
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
A♯maj7♯11
6frEADGBE111234
EADGBE11x234
5frEADGBE111123
10frEADGBE11x423
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
G7
5frEADGBE11x324
EADGBE321
3frEADGBE111132
10frEADGBE111134

Explore More

Better Days Ahead in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to D (descending perfect fourth), D to A# (descending major third), A# to F (descending perfect fourth), F to B (ascending tritone), B to A# (descending half step), A# to G (descending minor third), G to A (ascending whole step), A to D (ascending perfect fourth), D to C (descending whole step), C to F (ascending perfect fourth), F to B (ascending tritone), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D# (ascending major third), D# to D (descending half step), D to C# (descending half step), C# to E (ascending minor third), E to D# (descending half step), D# to E (ascending half step), E to F (ascending half step), F to A# (ascending perfect fourth), A# to B (ascending half step), B to A# (descending half step), A# to F# (descending major third), F# to G (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to G by unison.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: G/F♯, D69, A♯/A, Fmaj9, B9♯11, A♯maj7, Gm7, Am7, Dm7, Cm7, F7, Bm7, E7♭9, Amaj7, G♯m7♭5, C♯7♭9, F♯m7, B7, D♯13, Dmaj7, C♯m7, Em7, D♯m7♭5, E/C♭, Fmaj7/F♯, A♯maj7♯11/F♯, B13, A♯maj7♯11, F♯7, G7.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#