Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
F♯13
G/C♭
G♯maj7/F♯
A♯/F♯
G♯maj7/F♯
G♯maj7/F♯
A♯/F♯
C♯maj7♯11/F♯
D13
C♯maj7♯11
G♯maj7/F♯
A♯/F♯
G♯maj7/F♯
G♯maj7/F♯
A♯/F♯
G♯maj7/F♯
C♯maj7♯11/F♯
C♯maj7♯11

Chord Diagrams — Better Days Ahead in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯/F♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
F69
5frEADGBE1111x2
EADGBE123
EADGBExx2134
7frEADGBE11x234
C♯/A
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
G♯maj9
4frEADGBE113224
EADGBE1111x4
3frEADGBE111243
10frEADGBE22143x
D9♯11
4frEADGBE11x234
EADGBExx123
7frEADGBEx3142
9frEADGBE111234
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
G7♭9
EADGBE11324
EADGBE111x23
4frEADGBE11xx23
9frEADGBE11x234
Cmaj7
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x
7frEADGBE111234
9frEADGBE222xx1
E7♭9
EADGBE312
4frEADGBE1134
6frEADGBE11x234
10frEADGBE3241xx
Am7
EADGBEx21
EADGBEx2314
5frEADGBE111113
7frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
F♯13
EADGBE2314
EADGBE111234
7frEADGBEx4231
9frEADGBE111134
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
G/C♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
G♯maj7/F♯
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C♯maj7♯11/F♯
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
D13
5frEADGBE111134
EADGBExx412
8frEADGBE4231
10frEADGBE1x234x
C♯maj7♯11
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x

Explore More

Better Days Ahead in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to F (descending perfect fourth), F to C# (descending major third), C# to G# (descending perfect fourth), G# to D (ascending tritone), D to C# (descending half step), C# to A# (descending minor third), A# to C (ascending whole step), C to F (ascending perfect fourth), F to D# (descending whole step), D# to G# (ascending perfect fourth), G# to D (ascending tritone), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F# (ascending major third), F# to F (descending half step), F to E (descending half step), E to G (ascending minor third), G to F# (descending half step), F# to G (ascending half step), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to C# (descending half step), C# to A (descending major third), A to A# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A# by unison.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: A♯/F♯, F69, C♯/A, G♯maj9, D9♯11, C♯maj7, A♯m7, Cm7, Fm7, D♯m7, G♯7, Dm7, G7♭9, Cmaj7, Bm7♭5, E7♭9, Am7, D7, F♯13, Fmaj7, Em7, Gm7, F♯m7♭5, G/C♭, G♯maj7/F♯, C♯maj7♯11/F♯, D13, C♯maj7♯11, A7, A♯7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#