Do Re MiC D E

Better Days Ahead

Metheny Pat4/4samba
Cmaj7/F♯
D/F♯
Fmaj7♯11/F♯
F♯13
Fmaj7♯11
Cmaj7/F♯
D/F♯
Cmaj7/F♯
Cmaj7/F♯
D/F♯
Cmaj7/F♯

Chord Diagrams — Better Days Ahead in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D/F♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
A69
6frEADGBEx22134
EADGBE11x34
4frEADGBE111234
11frEADGBE11x234
F/A
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
F♯9♯11
4frEADGBExx1234
EADGBE111234
8frEADGBE11x234
9frEADGBE111x23
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
C7
8frEADGBE111132
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
B7♭9
8frEADGBE11xx23
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
D♯m7♭5
7frEADGBE11xx24
EADGBE222xx1
6frEADGBEx1324x
10frEADGBE2x341x
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
A♯m7♭5
8frEADGBE222xx1
EADGBEx1324x
EADGBE11xx24
5frEADGBE2x341x
B/C♭
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
Cmaj7/F♯
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Fmaj7♯11/F♯
5frEADGBE11x423
EADGBE12
EADGBExx213
8frEADGBE11x234
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
Fmaj7♯11
8frEADGBE11x234
EADGBE12
EADGBExx213
5frEADGBE11x423
C♯7
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134

Explore More

Better Days Ahead in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D to A (descending perfect fourth), A to F (descending major third), F to C (descending perfect fourth), C to F# (ascending tritone), F# to F (descending half step), F to D (descending minor third), D to E (ascending whole step), E to A (ascending perfect fourth), A to G (descending whole step), G to C (ascending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A# (ascending major third), A# to A (descending half step), A to G# (descending half step), G# to B (ascending minor third), B to A# (descending half step), A# to B (ascending half step), B to C (ascending half step), C to F (ascending perfect fourth), F to F# (ascending half step), F# to F (descending half step), F to C# (descending major third), C# to D (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to D by unison.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

samba4/4 · 35 bars · Form: ABCD

Chords: D/F♯, A69, F/A, Cmaj9, F♯9♯11, Fmaj7, Dm7, Em7, Am7, Gm7, C7, F♯m7, B7♭9, Emaj7, D♯m7♭5, G♯7♭9, C♯m7, F♯7, A♯13, Amaj7, G♯m7, Bm7, A♯m7♭5, B/C♭, Cmaj7/F♯, Fmaj7♯11/F♯, F♯13, Fmaj7♯11, C♯7, D7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#