Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
Bm7/D♯
Em7/B
%
G/G♯
%
Bm7/D♯
Em7/B
G/G♯
%
Am11
%
G/G♯
%
%
G/G♯
Em7/B
%
Caug/B
D7sus4
C/C♯
C/B
Bm7/D♯
Em7/B
G/G♯
%
Am11
%
G/G♯
%
%
%
Dmaj7/D♯
C/E
D13
Bm7/D♯
Em7/B
%
Dmaj7/D♯
D7sus4
Bm7/D♯
Em7/B
Dmaj7/D♯
D7sus4
Bm7/D♯
Em7/B
%
Dmaj7/D♯
D7sus4
Bm7/D♯
Em7/B
Dmaj7/D♯
D7sus4

Chord Diagrams — Manuel O Audaz in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Bm7/D♯
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Em7/B
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
G/G♯
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Dsus4
EADGBExx123
3frEADGBEx314
5frEADGBE111234
10frEADGBE111234
Caug
EADGBE11x32x
3frEADGBEx1423x
5frEADGBE11432x
8frEADGBExx4231
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
Am11
EADGBEx1
3frEADGBE111342
5frEADGBE111114
10frEADGBE11x234
Caug/B
EADGBE11x32x
3frEADGBEx1423x
5frEADGBE11432x
8frEADGBExx4231
D7sus4
EADGBExx214
3frEADGBEx2341x
5frEADGBE111134
10frEADGBE111134
C/C♯
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/B
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
Dmaj7/D♯
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
7frEADGBE111xx4
C/E
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x

Explore More

Manuel O Audaz in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to C (ascending perfect fourth), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to G (ascending minor third), G to A (ascending whole step), A to D (ascending perfect fourth), D to C (descending whole step), C to C (ascending unison), C to A (descending minor third), A to C (ascending minor third), C to D (ascending whole step), D to C (descending whole step), C to C (ascending unison), C to B (descending half step), B to D (ascending minor third), D to C (descending whole step), C to D (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to G by perfect fourth.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: Gmaj7, Cmaj7, Bm7/D♯, Em7, Em7/B, G/G♯, Am7, Dsus4, Caug, C6, Am11, Caug/B, D7sus4, C/C♯, C/B, Bm7, Dmaj7/D♯, C/E, D13.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G