Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
D♯m7/D♯
G♯m7/B
%
B/G♯
%
D♯m7/D♯
G♯m7/B
B/G♯
%
C♯m11
%
B/G♯
%
%
B/G♯
G♯m7/B
%
Eaug/B
F♯7sus4
E/C♯
E/B
D♯m7/D♯
G♯m7/B
B/G♯
%
C♯m11
%
B/G♯
%
%
%
F♯maj7/D♯
E/E
F♯13
D♯m7/D♯
G♯m7/B
%
F♯maj7/D♯
F♯7sus4
D♯m7/D♯
G♯m7/B
F♯maj7/D♯
F♯7sus4
D♯m7/D♯
G♯m7/B
%
F♯maj7/D♯
F♯7sus4
D♯m7/D♯
G♯m7/B
F♯maj7/D♯
F♯7sus4

Chord Diagrams — Manuel O Audaz in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D♯m7/D♯
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯m7/B
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
B/G♯
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯sus4
9frEADGBE111234
EADGBE111234
4frEADGBE11x234
11frEADGBE11xx24
Eaug
9frEADGBE11432
EADGBE4312
5frEADGBE11x32x
7frEADGBEx3211x
E6
7frEADGBE3333x1
EADGBE2314
EADGBE11134
5frEADGBEx4231x
C♯m11
9frEADGBE111114
EADGBE111x23
7frEADGBE111342
11frEADGBE11xx23
Eaug/B
7frEADGBEx3211x
EADGBE4312
5frEADGBE11x32x
9frEADGBE11432
F♯7sus4
7frEADGBE11x234
EADGBE111134
4frEADGBExx1324
9frEADGBE111134
E/C♯
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
E/B
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
F♯maj7/D♯
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
E/E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134

Explore More

Manuel O Audaz in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to B (ascending minor third), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to E (ascending unison), E to C# (descending minor third), C# to E (ascending minor third), E to F# (ascending whole step), F# to E (descending whole step), E to E (ascending unison), E to D# (descending half step), D# to F# (ascending minor third), F# to E (descending whole step), E to F# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: Bmaj7, Emaj7, D♯m7/D♯, G♯m7, G♯m7/B, B/G♯, C♯m7, F♯sus4, Eaug, E6, C♯m11, Eaug/B, F♯7sus4, E/C♯, E/B, D♯m7, F♯maj7/D♯, E/E, F♯13.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B