Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
F♯m7/D♯
Bm7/B
%
D/G♯
%
F♯m7/D♯
Bm7/B
D/G♯
%
Em11
%
D/G♯
%
%
D/G♯
Bm7/B
%
Gaug/B
A7sus4
G/C♯
G/B
F♯m7/D♯
Bm7/B
D/G♯
%
Em11
%
D/G♯
%
%
%
Amaj7/D♯
G/E
A13
F♯m7/D♯
Bm7/B
%
Amaj7/D♯
A7sus4
F♯m7/D♯
Bm7/B
Amaj7/D♯
A7sus4
F♯m7/D♯
Bm7/B
%
Amaj7/D♯
A7sus4
F♯m7/D♯
Bm7/B
Amaj7/D♯
A7sus4

Chord Diagrams — Manuel O Audaz in D (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
F♯m7/D♯
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
Bm7/B
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
D/G♯
2frEADGBE111432
EADGBExx132
5frEADGBE111234
10frEADGBE111342
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Asus4
EADGBExx1
EADGBEx123
5frEADGBE111333
7frEADGBE11x234
Gaug
EADGBE321x
3frEADGBE1x423x
4frEADGBE11xx2x
8frEADGBE11x32x
G6
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
Em11
EADGBE1
3frEADGBE321
5frEADGBE11x234
10frEADGBE111342
Gaug/B
EADGBE321x
3frEADGBE1x423x
4frEADGBE11xx2x
8frEADGBE11x32x
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
G/C♯
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
G/B
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
Amaj7/D♯
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G/E
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
A13
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213

Explore More

Manuel O Audaz in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to D (ascending minor third), D to E (ascending whole step), E to A (ascending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to E (descending minor third), E to G (ascending minor third), G to A (ascending whole step), A to G (descending whole step), G to G (ascending unison), G to F# (descending half step), F# to A (ascending minor third), A to G (descending whole step), G to A (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to D by perfect fourth.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: Dmaj7, Gmaj7, F♯m7/D♯, Bm7, Bm7/B, D/G♯, Em7, Asus4, Gaug, G6, Em11, Gaug/B, A7sus4, G/C♯, G/B, F♯m7, Amaj7/D♯, G/E, A13.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D