Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
Em7/D♯
Am7/B
%
C/G♯
%
Em7/D♯
Am7/B
C/G♯
%
Dm11
%
C/G♯
%
%
C/G♯
Am7/B
%
Faug/B
G7sus4
F/C♯
F/B
Em7/D♯
Am7/B
C/G♯
%
Dm11
%
C/G♯
%
%
%
Gmaj7/D♯
F/E
G13
Em7/D♯
Am7/B
%
Gmaj7/D♯
G7sus4
Em7/D♯
Am7/B
Gmaj7/D♯
G7sus4
Em7/D♯
Am7/B
%
Gmaj7/D♯
G7sus4
Em7/D♯
Am7/B
Gmaj7/D♯
G7sus4

Chord Diagrams — Manuel O Audaz in C (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Cmaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
Em7/D♯
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Am7/B
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
C/G♯
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Gsus4
EADGBE2314
3frEADGBE111234
5frEADGBE1144x3
10frEADGBE111234
Faug
EADGBExx4231
6frEADGBE11x32x
8frEADGBEx1x342
10frEADGBE11432x
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
Dm11
EADGBE11xx
3frEADGBE11x234
8frEADGBE111342
10frEADGBE111114
Faug/B
EADGBExx4231
6frEADGBE11x32x
8frEADGBEx1x342
10frEADGBE11432x
G7sus4
EADGBE1123
3frEADGBE111134
8frEADGBE11x234
10frEADGBE111134
F/C♯
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
F/B
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Gmaj7/D♯
EADGBE321
3frEADGBE111423
5frEADGBE11333x
10frEADGBE11x324
F/E
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
G13
EADGBE321
3frEADGBE11x234
3frEADGBE111324
9frEADGBEx21334

Explore More

Manuel O Audaz in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to E (descending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to C (ascending minor third), C to D (ascending whole step), D to G (ascending perfect fourth), G to F (descending whole step), F to F (ascending unison), F to D (descending minor third), D to F (ascending minor third), F to G (ascending whole step), G to F (descending whole step), F to F (ascending unison), F to E (descending half step), E to G (ascending minor third), G to F (descending whole step), F to G (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to C by perfect fourth.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: Cmaj7, Fmaj7, Em7/D♯, Am7, Am7/B, C/G♯, Dm7, Gsus4, Faug, F6, Dm11, Faug/B, G7sus4, F/C♯, F/B, Em7, Gmaj7/D♯, F/E, G13.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C