Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
C♯m7/D♯
F♯m7/B
%
A/G♯
%
C♯m7/D♯
F♯m7/B
A/G♯
%
Bm11
%
A/G♯
%
%
A/G♯
F♯m7/B
%
Daug/B
E7sus4
D/C♯
D/B
C♯m7/D♯
F♯m7/B
A/G♯
%
Bm11
%
A/G♯
%
%
%
Emaj7/D♯
D/E
E13
C♯m7/D♯
F♯m7/B
%
Emaj7/D♯
E7sus4
C♯m7/D♯
F♯m7/B
Emaj7/D♯
E7sus4
C♯m7/D♯
F♯m7/B
%
Emaj7/D♯
E7sus4
C♯m7/D♯
F♯m7/B
Emaj7/D♯
E7sus4

Chord Diagrams — Manuel O Audaz in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
C♯m7/D♯
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
F♯m7/B
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
A/G♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Esus4
7frEADGBE111234
EADGBE234
2frEADGBE11234
9frEADGBE11xx2
Daug
7frEADGBE11432x
EADGBExx231
3frEADGBE11x32x
10frEADGBE1x423x
D6
7frEADGBE111134
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
Bm11
7frEADGBE111114
EADGBEx123
5frEADGBE111342
9frEADGBE1122xx
Daug/B
7frEADGBE11432x
EADGBExx231
3frEADGBE11x32x
10frEADGBE1x423x
E7sus4
7frEADGBE111134
EADGBE23
5frEADGBE11x234
9frEADGBE11xx23
D/C♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/B
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Emaj7/D♯
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
D/E
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134

Explore More

Manuel O Audaz in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to A (ascending minor third), A to B (ascending whole step), B to E (ascending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to B (descending minor third), B to D (ascending minor third), D to E (ascending whole step), E to D (descending whole step), D to D (ascending unison), D to C# (descending half step), C# to E (ascending minor third), E to D (descending whole step), D to E (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: Amaj7, Dmaj7, C♯m7/D♯, F♯m7, F♯m7/B, A/G♯, Bm7, Esus4, Daug, D6, Bm11, Daug/B, E7sus4, D/C♯, D/B, C♯m7, Emaj7/D♯, D/E, E13.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A