Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
Cm7/D♯
Fm7/B
%
G♯/G♯
%
Cm7/D♯
Fm7/B
G♯/G♯
%
A♯m11
%
G♯/G♯
%
%
G♯/G♯
Fm7/B
%
C♯aug/B
D♯7sus4
C♯/C♯
C♯/B
Cm7/D♯
Fm7/B
G♯/G♯
%
A♯m11
%
G♯/G♯
%
%
%
D♯maj7/D♯
C♯/E
D♯13
Cm7/D♯
Fm7/B
%
D♯maj7/D♯
D♯7sus4
Cm7/D♯
Fm7/B
D♯maj7/D♯
D♯7sus4
Cm7/D♯
Fm7/B
%
D♯maj7/D♯
D♯7sus4
Cm7/D♯
Fm7/B
D♯maj7/D♯
D♯7sus4

Chord Diagrams — Manuel O Audaz in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯maj7
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
C♯maj7
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Cm7/D♯
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Fm7/B
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G♯/G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯sus4
6frEADGBE111234
EADGBExx1234
8frEADGBE11xx2x
11frEADGBE111234
C♯aug
6frEADGBE11432x
EADGBE11x234
4frEADGBE111134
9frEADGBE11x423
C♯6
6frEADGBE111423
EADGBEx4231x
4frEADGBE3333x1
9frEADGBE11x324
A♯m11
6frEADGBE111114
4frEADGBE111342
8frEADGBE11xx23
11frEADGBE11x234
C♯aug/B
6frEADGBE11432x
EADGBE11x234
4frEADGBE111134
9frEADGBE11x423
D♯7sus4
6frEADGBE111134
EADGBExx1324
4frEADGBE11x234
11frEADGBE111134
C♯/C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯/B
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
D♯maj7/D♯
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
C♯/E
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
D♯13
6frEADGBE111134
5frEADGBE44x213
9frEADGBE11423
11frEADGBE111234

Explore More

Manuel O Audaz in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to G# (ascending minor third), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to A# (descending minor third), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to C# (descending whole step), C# to C# (ascending unison), C# to C (descending half step), C to D# (ascending minor third), D# to C# (descending whole step), C# to D# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to G# by perfect fourth.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: G♯maj7, C♯maj7, Cm7/D♯, Fm7, Fm7/B, G♯/G♯, A♯m7, D♯sus4, C♯aug, C♯6, A♯m11, C♯aug/B, D♯7sus4, C♯/C♯, C♯/B, Cm7, D♯maj7/D♯, C♯/E, D♯13.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#