Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
G♯m7/D♯
C♯m7/B
%
E/G♯
%
G♯m7/D♯
C♯m7/B
E/G♯
%
F♯m11
%
E/G♯
%
%
E/G♯
C♯m7/B
%
Aaug/B
B7sus4
A/C♯
A/B
G♯m7/D♯
C♯m7/B
E/G♯
%
F♯m11
%
E/G♯
%
%
%
Bmaj7/D♯
A/E
B13
G♯m7/D♯
C♯m7/B
%
Bmaj7/D♯
B7sus4
G♯m7/D♯
C♯m7/B
Bmaj7/D♯
B7sus4
G♯m7/D♯
C♯m7/B
%
Bmaj7/D♯
B7sus4
G♯m7/D♯
C♯m7/B
Bmaj7/D♯
B7sus4

Chord Diagrams — Manuel O Audaz in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Emaj7
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
Amaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G♯m7/D♯
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
C♯m7/B
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
E/G♯
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Bsus4
4frEADGBE11xx24
2frEADGBE111234
7frEADGBE111234
9frEADGBE1144x3
Aaug
5frEADGBE11x423
EADGBEx4231
2frEADGBE11432x
10frEADGBE11x32x
A6
5frEADGBE113x24
EADGBE1111x
4frEADGBE2x143x
10frEADGBEx4231x
F♯m11
4frEADGBE11xx23
EADGBE231
EADGBE111114
7frEADGBE11x234
Aaug/B
2frEADGBE11432x
EADGBEx4231
5frEADGBE11x423
10frEADGBE11x32x
B7sus4
2frEADGBE111134
EADGBEx123
4frEADGBE1122xx
7frEADGBE111134
A/C♯
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
A/B
2frEADGBE111x4
EADGBEx234
5frEADGBE111342
7frEADGBEx1243
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
Bmaj7/D♯
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A/E
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234

Explore More

Manuel O Audaz in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to E (ascending minor third), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to F# (descending minor third), F# to A (ascending minor third), A to B (ascending whole step), B to A (descending whole step), A to A (ascending unison), A to G# (descending half step), G# to B (ascending minor third), B to A (descending whole step), A to B (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to E by perfect fourth.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: Emaj7, Amaj7, G♯m7/D♯, C♯m7, C♯m7/B, E/G♯, F♯m7, Bsus4, Aaug, A6, F♯m11, Aaug/B, B7sus4, A/C♯, A/B, G♯m7, Bmaj7/D♯, A/E, B13.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E