Do Re MiC D E

Manuel O Audaz

Horta Toninho4/4rock
A♯m7/D♯
D♯m7/B
%
F♯/G♯
%
A♯m7/D♯
D♯m7/B
F♯/G♯
%
G♯m11
%
F♯/G♯
%
%
F♯/G♯
D♯m7/B
%
Baug/B
C♯7sus4
B/C♯
B/B
A♯m7/D♯
D♯m7/B
F♯/G♯
%
G♯m11
%
F♯/G♯
%
%
%
C♯maj7/D♯
B/E
C♯13
A♯m7/D♯
D♯m7/B
%
C♯maj7/D♯
C♯7sus4
A♯m7/D♯
D♯m7/B
C♯maj7/D♯
C♯7sus4
A♯m7/D♯
D♯m7/B
%
C♯maj7/D♯
C♯7sus4
A♯m7/D♯
D♯m7/B
C♯maj7/D♯
C♯7sus4

Chord Diagrams — Manuel O Audaz in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Bmaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A♯m7/D♯
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
D♯m7/B
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
F♯/G♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯sus4
4frEADGBE111234
EADGBEx3412x
6frEADGBE2x1114
9frEADGBE111234
Baug
3frEADGBExx4231
EADGBEx21x
7frEADGBE1x423x
12frEADGBE11x32
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
G♯m11
4frEADGBE111114
EADGBE111342
6frEADGBE11xx23
9frEADGBE11x334
Baug/B
3frEADGBExx4231
EADGBEx21x
7frEADGBE1x423x
12frEADGBE11x32
C♯7sus4
EADGBE11x234
4frEADGBE111134
6frEADGBExxx123
9frEADGBE111134
B/C♯
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B/B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
C♯maj7/D♯
EADGBE111x43
4frEADGBE111324
6frEADGBE11xxx3
9frEADGBE1x342x
B/E
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234

Explore More

Manuel O Audaz in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to G# (descending minor third), G# to B (ascending minor third), B to C# (ascending whole step), C# to B (descending whole step), B to B (ascending unison), B to A# (descending half step), A# to C# (ascending minor third), C# to B (descending whole step), B to C# (ascending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

rock4/4 · 97 bars · Form: A

Chords: F♯maj7, Bmaj7, A♯m7/D♯, D♯m7, D♯m7/B, F♯/G♯, G♯m7, C♯sus4, Baug, B6, G♯m11, Baug/B, C♯7sus4, B/C♯, B/B, A♯m7, C♯maj7/D♯, B/E, C♯13.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#