Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
%
%
C♭/D♭
%
%
C♯/A♭
C♯/D♭
%
C♯/D♭
C♭/D♭
%
C♭/D♭
%
%
C♭/D♭
%
%
C♯/A♭
C♯/D♭
%
C♯/D♭
C♭/D♭
%
C♯/E♭
C♯/D♭
%
C♯/D♭
C♭/D♭
%
%
%
C♯/D♭
%
C♯/D♭
C♭/D♭
%
%

Chord Diagrams — You've Lost That Lovin' Feelin' in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯/A♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
C♯/D♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
C♯/E♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342

Explore More

You've Lost That Lovin' Feelin' in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through Cb to G# (descending major third), G# to A# (ascending whole step), A# to C (ascending whole step), C to C# (ascending half step), C# to C# (ascending unison), C# to D# (ascending whole step), D# to C# (descending whole step), C# to C# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to Cb by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, G♯, A♯m7, Cm7, C♯, C♯/A♭, D♯, C♯/D♭, C♯/E♭.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#