Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
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%
C♭/D♭
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F♯/A♭
F♯/D♭
%
F♯/D♭
C♭/D♭
%
C♭/D♭
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%
C♭/D♭
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%
F♯/A♭
F♯/D♭
%
F♯/D♭
C♭/D♭
%
F♯/E♭
F♯/D♭
%
F♯/D♭
C♭/D♭
%
%
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F♯/D♭
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F♯/D♭
C♭/D♭
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Chord Diagrams — You've Lost That Lovin' Feelin' in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
F♯/A♭
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
G♯
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
F♯/D♭
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
F♯/E♭
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234

Explore More

You've Lost That Lovin' Feelin' in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through Cb to C# (ascending half step), C# to D# (ascending whole step), D# to F (ascending whole step), F to F# (ascending half step), F# to F# (ascending unison), F# to G# (ascending whole step), G# to F# (descending whole step), F# to F# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to Cb by tritone.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, C♯, D♯m7, Fm7, F♯, F♯/A♭, G♯, F♯/D♭, F♯/E♭.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#