Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
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C♭/D♭
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B/A♭
B/D♭
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B/D♭
C♭/D♭
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C♭/D♭
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C♭/D♭
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B/A♭
B/D♭
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B/D♭
C♭/D♭
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B/E♭
B/E♭
B/E♭
B/E♭
B/E♭
B/E♭
B/E♭
B/E♭
B/E♭
C♭/D♭
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B/E♭
B/D♭
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B/D♭
C♭/D♭
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B/D♭
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B/D♭
C♭/D♭
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Chord Diagrams — You've Lost That Lovin' Feelin' in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B/A♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
B/D♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
B/E♭
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243

Explore More

You've Lost That Lovin' Feelin' in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through Cb to F# (ascending tritone), F# to G# (ascending whole step), G# to A# (ascending whole step), A# to B (ascending half step), B to B (ascending unison), B to C# (ascending whole step), C# to B (descending whole step), B to B (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to Cb by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, F♯, G♯m7, A♯m7, B, B/A♭, C♯, B/D♭, B/E♭.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#