Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
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C♭/D♭
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E/A♭
E/D♭
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E/D♭
C♭/D♭
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C♭/D♭
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C♭/D♭
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%
E/A♭
E/D♭
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E/D♭
C♭/D♭
%
E/E♭
E/E♭
E/E♭
E/E♭
E/E♭
E/E♭
E/E♭
E/E♭
E/E♭
C♭/D♭
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E/E♭
E/D♭
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E/D♭
C♭/D♭
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E/D♭
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E/D♭
C♭/D♭
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Chord Diagrams — You've Lost That Lovin' Feelin' in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E/A♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
E/D♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E/E♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234

Explore More

You've Lost That Lovin' Feelin' in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through Cb to B (descending half step), B to C# (ascending whole step), C# to D# (ascending whole step), D# to E (ascending half step), E to E (ascending unison), E to F# (ascending whole step), F# to E (descending whole step), E to E (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from E to Cb by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, B, C♯m7, D♯m7, E, E/A♭, F♯, E/D♭, E/E♭.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B