Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
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C♭/D♭
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D♯/A♭
D♯/D♭
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D♯/D♭
C♭/D♭
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C♭/D♭
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%
C♭/D♭
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%
D♯/A♭
D♯/D♭
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D♯/D♭
C♭/D♭
%
D♯/E♭
D♯/E♭
D♯/E♭
D♯/E♭
D♯/E♭
D♯/E♭
D♯/E♭
D♯/E♭
D♯/E♭
C♭/D♭
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D♯/E♭
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D♯/D♭
C♭/D♭
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D♯/D♭
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D♯/D♭
C♭/D♭
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Chord Diagrams — You've Lost That Lovin' Feelin' in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Cm7
3frEADGBE111132
EADGBEx2134x
4frEADGBExx2314
8frEADGBE111113
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯/A♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
D♯/D♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯/E♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4

Explore More

You've Lost That Lovin' Feelin' in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through Cb to A# (descending whole step), A# to C (ascending whole step), C to D (ascending whole step), D to D# (ascending half step), D# to D# (ascending unison), D# to F (ascending whole step), F to D# (descending whole step), D# to D# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to Cb by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Use the Lydian mode (raised 4th) over the IV chord for a dreamy, floating quality that lifts the harmony.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, A♯, Cm7, Dm7, D♯, D♯/A♭, F, D♯/D♭, D♯/E♭.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#