Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
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C♭/D♭
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D/A♭
D/D♭
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D/D♭
C♭/D♭
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C♭/D♭
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C♭/D♭
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D/A♭
D/D♭
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D/D♭
C♭/D♭
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D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
D/E♭
C♭/D♭
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D/E♭
D/D♭
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D/D♭
C♭/D♭
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D/D♭
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D/D♭
C♭/D♭
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Chord Diagrams — You've Lost That Lovin' Feelin' in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/A♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D/D♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D/E♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342

Explore More

You've Lost That Lovin' Feelin' in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through Cb to A (descending minor third), A to B (ascending whole step), B to C# (ascending whole step), C# to D (ascending half step), D to D (ascending unison), D to E (ascending whole step), E to D (descending whole step), D to D (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to Cb by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, A, Bm7, C♯m7, D, D/A♭, E, D/D♭, D/E♭.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A