Do Re MiC D E

You've Lost That Lovin' Feelin'

The Righteous Brothers(Spector, Mann, Weil)4/4pop♩= 95
C♭/D♭
%
%
C♭/D♭
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%
G♯/A♭
G♯/D♭
%
G♯/D♭
C♭/D♭
%
C♭/D♭
%
%
C♭/D♭
%
%
G♯/A♭
G♯/D♭
%
G♯/D♭
C♭/D♭
%
G♯/E♭
G♯/D♭
%
G♯/D♭
C♭/D♭
%
%
%
G♯/D♭
%
G♯/D♭
C♭/D♭
%
%

Chord Diagrams — You've Lost That Lovin' Feelin' in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B/D♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯/A♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
G♯/D♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯/E♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

You've Lost That Lovin' Feelin' in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through Cb to D# (ascending minor third), D# to F (ascending whole step), F to G (ascending whole step), G to G# (ascending half step), G# to G# (ascending unison), G# to A# (ascending whole step), A# to G# (descending whole step), G# to G# (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G# to Cb by major third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

pop4/4 · 84 bars · Form: ABCB

Chords: C♭/D♭, D♯, Fm7, Gm7, G♯, G♯/A♭, A♯, G♯/D♭, G♯/E♭.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#