Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75
F13
%
F13
C/D
%
C/E♭
C/E
C/F
C/G♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭
F13
F13
C/D
%
C/E♭
C/E
C/F
C/G♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭
G/C
C/E♭

Chord Diagrams — Tell Me Something Good in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
Dm
EADGBExx231
5frEADGBE111342
6frEADGBEx4231x
10frEADGBE111134
C
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Am
EADGBEx231
2frEADGBE444x1
5frEADGBE111134
7frEADGBEx1342
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
Bm
EADGBE111342
7frEADGBE111134
9frEADGBExx1342
10frEADGBExx3241
C/D
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/E♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/E
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/F
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
C/G♭
EADGBEx321
3frEADGBE111234
5frEADGBE111xx4
8frEADGBE111342
G/C
EADGBE213
3frEADGBE111342
5frEADGBE11x243
7frEADGBE111432
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423

Explore More

Tell Me Something Good in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to F (descending whole step), F to E (descending half step), E to D (descending whole step), D to C (descending whole step), C to A# (descending whole step), A# to A (descending half step), A to F (descending major third), F to B (ascending tritone), B to C (ascending half step), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to C (ascending unison), C to G (descending perfect fourth), G to E (descending minor third), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to G by whole step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

funk4/4 · 56 bars · Form: AAABCCD

Chords: G, F, Em, Dm, C, A♯, Am, F13, Bm, C/D, C/E♭, C/E, C/F, C/G♭, G/C, Em7, Am7.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G