Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75

Chord Diagrams — Tell Me Something Good in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G♯m
4frEADGBE111134
6frEADGBExx1342
7frEADGBExx3241
11frEADGBE111342
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
E/D
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E/E♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E/E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E/F
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E/G♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
B/C
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423

Explore More

Tell Me Something Good in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A (descending whole step), A to G# (descending half step), G# to F# (descending whole step), F# to E (descending whole step), E to D (descending whole step), D to C# (descending half step), C# to A (descending major third), A to D# (ascending tritone), D# to E (ascending half step), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to E (ascending unison), E to B (descending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to B by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Layer in the full major scale for melodic runs, reserving the pentatonic for riff-based phrases.

funk4/4 · 56 bars · Form: AAABCCD

Chords: B, A, G♯m, F♯m, E, D, C♯m, A13, D♯m, E/D, E/E♭, E/E, E/F, E/G♭, B/C, G♯m7, C♯m7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B