Do Re MiC D E

Tell Me Something Good

Rufus and Chaka Khan (Stevie Wonder)4/4funk♩= 75
F♯13
%
F♯13
C♯/D
%
C♯/E♭
C♯/E
C♯/F
C♯/G♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
F♯13
F♯13
C♯/D
%
C♯/E♭
C♯/E
C♯/F
C♯/G♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭
G♯/C
C♯/E♭

Chord Diagrams — Tell Me Something Good in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
F♯13
EADGBE2314
EADGBE111234
7frEADGBEx4231
9frEADGBE111134
Cm
EADGBEx3214
3frEADGBE111342
5frEADGBE1142xx
8frEADGBE111134
C♯/D
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/E♭
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/E
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/F
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯/G♭
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯/C
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
A♯m7
EADGBE111x32
EADGBExx2314
6frEADGBE111113
8frEADGBE11x423

Explore More

Tell Me Something Good in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to F# (descending whole step), F# to F (descending half step), F to D# (descending whole step), D# to C# (descending whole step), C# to B (descending whole step), B to A# (descending half step), A# to F# (descending major third), F# to C (ascending tritone), C to C# (ascending half step), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Try the major blues scale — adding the flat 3rd as a passing chromatic note gives bends and slides an expressive, soulful quality.

funk4/4 · 56 bars · Form: AAABCCD

Chords: G♯, F♯, Fm, D♯m, C♯, B, A♯m, F♯13, Cm, C♯/D, C♯/E♭, C♯/E, C♯/F, C♯/G♭, G♯/C, Fm7, A♯m7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#